Seven Reasons The Contemporary Art World Is Insufferable Right Now

“Writing for certain art magazines and blogs allowed me a Gatsbyian entrance into the lives of the extraordinarily wealthy. I got to interview art collectors, gallery dealers, models, artists, and designers who probably spend more on handbags than I do on rent. I’ve sipped champagne in a Bentley and feasted on caviar in penthouse apartments. Though I disliked some of the art I was assigned to cover, as a grad student I couldn’t really be choosy about what I wrote about. I wanted to get published, and getting paid to write, no matter the topic, felt like a blessing.”

BuzzFeed – Yes, BuzzFeed – Is Launching Writers’ Fellowships And A Literary Magazine

Poet Saeed Jones: “The fellowship is just the beginning of what I really like to think of as a kind of literary movement coming to BuzzFeed. In addition to the fellowship program, I’ll be launching a literary magazine — about a year from now — as well as a reading and salon series. We’ll also be hosting creative writing workshops.”

The Rise And Fall Of Thomas Kinkade

“It was Thom’s favorite subject: world domination. The excitement of planning, of dreaming, of bringing vision to life. And it wasn’t because of the money. It was because he believed God had a special purpose for him, and that was to influence people through his paintings. He thought that with his paintings, he would change the world.”

California’s Iconic Record Store Amoeba Records Turns 25

“In a lot of ways, we’re kind of like an art museum – for music. It’s interesting – a lot of people don’t know how to look at art or talk about art. But people definitely know how to talk about music. Music is something a lot more people are literate to. And people don’t really have anywhere to go, outside of a show, to cultivate that. The closest you can get is to come to a place like Amoeba.”

Is Yannick Nézet-Séguin The Template For The New American Orchestra Music Director?

“As a number of American orchestras — including the National Symphony Orchestra — embark on the search for new music directors of their own, Nézet-Séguin appears to be a template for what they’re looking for. If there’s a flaw in his seemingly perfect profile, everything around him is usually moving too fast, with too much electricity and excitement, for anyone to have time to figure it out.”