Columbus Symphony Supporters Take To The Net

A group of fans and supporters of the beleagured Columbus Symphony are launching a web site designed to call attention to the CSO’s struggles and connect more music lovers to the orchestra. “Though the management’s call to cut both the symphony’s size and the length of its season has caused angry divisions between it and the musicians, the website’s founders plan to promote the orchestra without favoring one side over the other.”

Is Vancouver Thinking Small Again?

A controversial sculpture depicting an upside-down cathedral, which has held a prominent place in a Vancouver park for the last 2-1/2 years, is to be dismantled after complaints from neighbors. The decision “has rekindled debate on the role of public art in a city that yearns for world-class status but often succumbs, in the eyes of critics, to small-town thinking.”

Tony Showdown Throws Spotlight On An Old Argument

“The coming showdown between [Broadway revivals of] Gypsy and South Pacific is going to rip open a long-simmering dispute between commercial producers and nonprofit theater companies. The commercial producers, who take big risks with their investors’ money, bitterly resent competing for Tonys against subsidized theaters. Some producers privately say they’d like to ban the nonprofits from the Tony Awards.”

France Moves To Prop Up Struggling Art Market

France’s culture minister “unveiled a plan yesterday that includes zero-interest loans for art buyers, more tax breaks for corporate art buyers, and measures to free up strict regulations on the auction business. While France’s museums pull in millions of art viewers, French auctioneers and gallery owners have long struggled to attract art buyers.”

The Mysterious Power Of Norma

“No glare is more searing in the operatic world than that which beats down on the opera Norma… The title character’s music is early 19th-century bel canto – great stuff – with vocal lines as intricately woven as lace. The soprano/mezzo-soprano duets can be especially thrilling. None of this, however, quite explains why the opera’s infrequent productions are greeted with such profound reverence and reality-defying expectation.”