When Did US Politicians Forget About Cities?

“There are three times as many urbanites in America as country folk, yet you wouldn’t know it listening to the three main presidential candidates, or perusing their Web sites… You won’t hear much about aging cities on Earth fighting to keep their downtowns alive and their overcrowded commuter buses on the road. Cities just don’t figure in the political imagination anymore.”

Giving It Away In Order To Get More Later

The internet age may not have had as profound an impact on the world of books as it has had on music, but podcasting and downloadable media have dramatically altered the way authors market themselves. Several authors without major contracts have used free online distribution of their work to build an audience large enough to make them more attractive to publishers.

A Chamber Music Institution Fades Away In D.C.

The National Institutes of Health’s Chamber Music Series is drawing to a close this weekend after 40 years of presenting the world’s best musicians in Washington, D.C. The series’s founder “chalks up the plunge to aging audiences, as well as the wider availability of high-end chamber music. Others view the series’s end more ominously.”

UBS Moves Support From Verbier To Lucerne

“UBS, the giant Swiss bank, has withdrawn its support of the UBS Verbier Orchestra, an elite training ensemble that is based at the Verbier Festival in Switzerland and that has close ties to the Metropolitan Opera Orchestra and the Met’s music director, James Levine. The bank has decided to move its money to a rival Swiss festival in Lucerne, a higher-profile event that has a training academy — but no student orchestra — of its own.”

Beaux Arts, Pressler Calling It Quits (Sort Of)

Pianist Menachem Pressler has had one of the era’s most successful musical careers, and while, at 84, he’s not ready to quit, he’s finally begun to slow down his hectic schedule a bit. “Mr. Pressler and his much younger colleagues in the venerable Beaux Arts Trio, which he helped found as a junior partner in 1955, plan to disband” this summer.

If You Can’t Beat ‘Em, Lead ‘Em

One New York theatre critic has clearly had it with the city’s scene. “After years of private bitching and public grumbling about our nonprofit theaters’ toothless seasons, homogeneous production designs and timid, old-man marketing, I’ve finally found a person with the taste and courage to be the ideal artistic director of the 21st century: me.”