Worldwide, Universities Are Dying

“From Cape Town to Reykjavik, Sydney to São Paulo, an event as momentous in its own way as the Cuban revolution or the invasion of Iraq is steadily under way: the slow death of the university as a center of humane critique. Universities, which in Britain have an 800-year history, have traditionally been derided as ivory towers, and there was always some truth in the accusation. Yet the distance they established between themselves and society at large could prove enabling as well as disabling.

California’s Next Bohemian Hot Spot – In A City You’d Never Expect

James Fallows reports: “‘The Tower District is the bohemia of Fresno, and Fresno is the bohemia of California,’ a Fresnan named Heather Parish told us recently. If she were editing in real time, she probably would have said: Fresno should be the bohemia of our most populous and creative state. Here is what she is talking about and why she could dare say such a thing.”

Reality TV Has Become Less Profitable For Networks. Why? The Internet

“The shelf life for Viacom’s reality shows like “Teen Mom” and “Jersey Shore” is shorter than it used to be, because why watch a reality show rerun when you can watch something on YouTube or Twitch, or play around with Vine and Snapchat, or Clash of Clans or whatever. So the company has to knock down the value it had attributed to those shows in its catalog. The same goes for some reruns the company had purchased from other providers.”

Why We Should Let Prisoners Take College Courses

“Education was once an integral part of prison life. In the early 1980s, there were 350 college degree programs for prisoners nationwide. It was part of the “rehabilitative era.” School buildings in prisons were like satellite campuses of colleges, and federal and state grants paid prisoners’ tuitions. But the following years brought unemployment, crack cocaine, the Willie Horton debacle and tough-on-crime rhetoric.”

Julie Wilson, 90, Celebrated Cabaret Singer

“Ms. Wilson began her career as a musical theatre actress, both in New York and London. But, beginning in the 1980s, she began to focus on the smaller stages of the cabaret world, finding acclaim for her interpretations of songwriters such as Stephen Sondheim, Kurt Weill, the Gershwins, Harold Arlen, Jerome Kern, Rodgers and Hart and Cole Porter.”