The Paradigm Has Shifted: Critics Don’t Matter Anymore

“There was a time when critics were our arbiters of culture, the ultimate interpreters of intellectual discourse. When I was growing up, eager to write about the arts, it was just as important to read Pauline Kael, Frank Rich and Lester Bangs as it was to see a Robert Altman film, a David Mamet play or listen to the latest Elvis Costello album. Critics gave art its context, explained its meaning and guided us to new discoveries. As a flood of stories in recent weeks has shown, those days are going, going, gone.”

In His Mom’s Last Weeks, Critic Sees TV’s Power To Soothe

“A television critic inevitably spends a fair amount of time bemoaning what is on television. My mother, especially after illness made it increasingly hard for her to read novels, was a reminder of the immense gift television can be. She had friends, visitors, and telephone calls, but there was also a continuous visual (she was a painter) and informational thirst that only television could assuage. ‘I don’t know what I’d do without television,’ was a sentence I often heard her utter.”

Side Effect Of An Illness: Artistic Gifts

Maurice Ravel apparently had “a rare disease called FTD, or frontotemporal dementia,” when he was composing “Bolero,” but non-artists stricken with FTD may lose other abilities even as they suddenly become gifted in the arts. “The disease apparently (alters) circuits in their brains, changing the connections between the front and back parts and resulting in a torrent of creativity.”

Foundation To Keep Aussie Dancer’s Spirit Alive

“The family of the dancer Tanja Liedtke, who died in a road accident seven months ago, has set up a foundation in her name, with the hope of raising €1million to honour and perpetuate her work… Liedtke, who had an international career as a dancer and choreographer, was artistic director-designate of the Sydney Dance Company when she died aged 29.”