Right-Wing Editor-Publisher Decides He Needs Balance, Seeks Out Liberal Authors (But Will They Respond?)

Adam Bellow (yes, Saul’s son), after 30 years handling such notorious titles as Charles Murray’s The Bell Curve, Dinesh D’Souza’s Illiberal Education and David Brock’s The Real Anita Hill, left the HarperCollins conservative imprint Broadside to launch All Points Books at St. Martin’s Press. However, as Alexandra Alter reports, “Mr. Bellow played a role in widening the ideological divisions he now maintains he wants to bridge … [and his] reputation might make it hard for him to recruit liberal writers to his list.”

Anatomy Of A Jazz Breakup – Ethan Iverson Is Leaving The Bad Plus

An audacious power trio that also functions as a postbop combo, The Bad Plus first made its mark by reforging songs from the pop-culture consciousness. (“Smells Like Teen Spirit,” by Nirvana, was an early calling card.) But the band has also been a tireless engine for original music. Each member contributes compositions, writing for the band while preserving a distinctive signature: vaulting and sonorous for Anderson, dissonant yet often delicate for Iverson, wily and kinetic for King.

State Of Maryland Might Replace Trump Cuts To Its PBS Funding

“What that means is that if President Donald Trump’s controversial call to zero out funding for the Corporation for Public Broadcasting were to take effect, Maryland would be giving MPT $3 million to replace it – the sum that MPT is scheduled to receive from the federal government through the CPB. The commitment appears to be open ended. It’s not just for one year.”

Could Dying Shopping Malls Be The Next Great Arts Spaces?

“To go shopping and see artists at work, perhaps talk to them, watch rehearsals, maybe see performances, interact with arts education programs, poetry slams, dance companies, film makers and on and on might be a very attractive lure to the public. And that might help retailers. And this might be a golden opportunity for us to target Millennials, even younger people, and to build public will in support of the arts.”

Is It Possible To Separate A Brilliant British Artist From His Incestuous Abuse Of His Own Child?

The director of a museum mostly devoted to Eric Gill’s work held a series of workshops to discuss the various concerns. The director: “My view as a curator was: he’s an artist, and we show his work. I hadn’t felt it [his biography] would be an issue for us, until one day I found myself looking at work we would feel uncomfortable showing. There was one object in particular, and it really brought home the fact that Gill abused his daughters.”

Top Stories From AJBlogs For The Weekend 04.09.17

Lines For Mulligan, With Video
The press of Art Pepper business distracted Rifftides from noting that yesterday was the birthday of Gerry Mulligan. He would have been 90. On the occasion, Franca Mulligan sent news about an … read more
AJBlog: RiffTidesPublished 2017-04-08

Become Wind

I have a rare NYC performance next week, and, even rarer, a NYC world premiere. The ensemble Contemporaneous, led by Bard graduates David Bloom and Dylan Mattingly, is premiering my Cap Rock Wind for mezzo-soprano … read more
AJBlog: PostClassicPublished 2017-04-07
The Entrancing Sound of the Timple
The family of the lute has a multitude of relatives, the guitar being the most prevalent right now. But there are a number of more diminutive nieces and nephews who have shaped the music of … read more
AJBlog: OtherWorldlyPublished 2017-04-07
Failing the who-cares test
In today’s Wall Street Journal I write about the Broadway transfer of here. Here’s an excerpt. * * * “War Paint” isn’t so much a musical as a pitch. It’s easy enough to imagine it: … read more
AJBlog: About Last NightPublished 2017-04-07
Almanac: Eric Hoffer on hatred
“Passionate hatred can give meaning and purpose to an empty life. Thus people haunted by the purposelessness of their lives try to find a new content not only by dedicating themselves to a holy cause … read more
AJBlog: About Last NightPublished 2017-04-07
Barratt’s Back: A Harbinger of the Met’s Administrative Readjustments?
Last July, it was reported that the Metropolitan Museum’s deputy director for collections and administration, Carrie Rebora Barratt, was one of those who had taken a voluntary buyout at the Met. Now, it appears, she’s … read more
AJBlog: CultureGrrlPublished 2017-04-06
Accessible or hospitable
We talk a lot in the arts about being “accessible” — which tends to mean open and available to many different people. The assumption (and often the experience) is that a lot of artistic work … read more
AJBlog: The Artful ManagerPublished 2017-04-06