Luminato Festival Cancels Plans To Bring “Exhibit B” To Toronto After Community Objections. But Have Those Objecting Seen The Show?

So, Luminato approached a wide range of African-Canadian artists, scholars and community leaders to attend a meeting to simply discuss the idea of bringing the show to Toronto. The reaction, especially on social media, was so immediately condemning, with one activist reaching out to the organizer of the British boycott for advice, that Luminato quickly backed away from the idea. The group is still meeting on April 22 to discuss Exhibit B, but it will be a rather hypothetical discussion: On Tuesday, the festival announced that it “has determined that 2016 is not the right time to present Exhibit B in Toronto.”

Christopher Wheeldon In Wonderland: “An American in Paris” Is Ballet Choreographer’s Dream Come True

His staging (direction as well as dance) of the Gershwin show, just opened on Broadway after knockout success in Paris, “perfectly encapsulates the artistic character of the boyish-looking, 42-year-old Wheeldon: a sophisticated balletmaker who is a hopeless fan of razzle-dazzle.” Sarah Kaufman tells how he came to the project.

Garry Trudeau Explains Why Satire – And Charlie Hebdo – Shouldn’t ‘Punch Downward’

“Satire punches up, against authority of all kinds, the little guy against the powerful. Great French satirists like Molière and Daumier always punched up. … Ridiculing the non-privileged is almost never funny — it’s just mean. By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech.”

Should Critics Reviewing Translations Know The Work In Its Original Language?

“If you don’t know the poet’s original work, what are you reviewing? But when you whittle the already small pool of poetry critics down to those who are multilingual or translators themselves, the result is that hardly anyone reviews translations, and in turn fewer people read them. If nobody reads poetry, less than nobody reads international poetry.”