How ‘Bout Some Earlier Curtain Times?

“I often think that I would have been at home in Elizabethan London, when performances took place in the afternoon. … Performance start times are only convention but, like Woman’s Hour, they are hard to shift without protest and don’t always seem to be designed for the convenience of audiences – or reflect the fact that theatre is a service industry.”

Collectors To Give 50 Museums 50 Works Apiece

“Herbert Vogel, an 82-year-old retired postal clerk, and his wife, Dorothy, 72, a former librarian, spent about 45 years and their life savings collecting Minimalist, Conceptual and post-1960s art. In 1992 the couple pledged more than 2,000 paintings, drawings and sculptures to the National Gallery of Art in Washington. Now, having amassed more art than could be exhibited in most museums, they will distribute 2,500 more pieces to institutions across the country.”

Newseum Design Reflects Anxieties Of Newspaper Biz

“How many mediocre buildings can one city absorb? And what if these buildings are meant to affirm our highest values? Those questions come to mind as I ponder the Newseum, the latest reason to lament the state of contemporary architecture in this city. Rising on a prominent site along Pennsylvania Avenue, it joins a spate of new memorials and museums that have been reshaping the historic center of Washington….”

Have Summer Music Fests Passed The Saturation Point?

“In a slumping music business,” summer festivals “pack a box office punch: the top five American festivals generated a combined $60 million in ticket sales last year, according to Billboard magazine’s estimates. At least four new festivals will make their debuts this summer, raising the total to more than a dozen. Various concert promoters are already warning of the dangers of oversaturation, and point to the clutch of stars headlining multiple festivals.”

MoMA’s Most Intimate Exhibition Space: The Bathroom

“There are several reasons you might want to stage an unauthorized group exhibition inside the fifth-floor restrooms at the Museum of Modern Art: to attract attention, to poke a little fun at a powerful institution, to make a satirical point about the high-dollar commercial art world, to invite your friends to watch you pull off a good goofball stunt.” Such a show last week was, of course, “intended not so much for the fleeting moment as it was for the Web. “