Envisioning A New, Post-Pandemic Dance World

“In many ways, we’ll have to start from scratch. So why not learn from this moment and rebuild our community on a stronger foundation? Why not use this opportunity to enact the desires, the dreams, the radical changes that we haven’t been bold enough to voice before? Why not reevaluate the systems and structures we’ve long seen as immutable? We talked to 10 leaders from across the field about how they’d radically reimagine the dance world.” – Dance Magazine

Actor Brian Dennehy, 81

“Standing 6-foot-3, Mr. Dennehy had a booming voice and an often intimidating screen presence. … [He] was celebrated for his work as a character actor in Hollywood and on television, where he earned six Emmy nominations. But he received even greater acclaim for his performances on the stage, starring in revivals of classic plays including O’Neill’s The Iceman Cometh, Anton Chekhov’s The Cherry Orchard and Bertolt Brecht’s Life of Galileo,” as well as the two productions for which he won Tony Awards, Miller’s Death of a Salesman and O’Neill’s Long Day’s Journey Into Night. “‘If it doesn’t scare me,’ he once said of theatrical roles, ‘I’m not interested.'” – The Washington Post

Not Only Is Albinoni’s Adagio A Movie Cliché, It’s A Total Forgery

A musicologist named Remo Giazotto wrote a monograph on Albinoni in which he claimed to have discovered manuscript fragments by the Venetian Baroque composer, fragments from which he reconstructed the overworked now-famous Adagio. “It sounds too good to be true. And it is.” Cinema and early music maven Donald Greig (who for many years sang with the Tallis Scholars) gives us the real story. – The Guardian