“Humans rarely think for themselves. Rather, we think in groups. Just as it takes a tribe to raise a child, it also takes a tribe to invent a tool, solve a conflict or cure a disease. No individual knows everything it takes to build a cathedral, an atom bomb or an aircraft. What gave Homo sapiens an edge over all other animals and turned us into the masters of the planet was not our individual rationality, but our unparalleled ability to think together in large groups.”
Tag: 04.18.17
How Wikipedia Found Its Way Toward A Definition Of Happiness: 6,000 Edits By 3,000 Users
“In this way, Wikipedia understands something that most philosophers after Socrates didn’t – definitions are not static, and cannot be perfected and finalized. They must be constantly challenged, updated, reverted, and discussed. Wikipedia is like a Socratic dialogue on a massive scale.” Nikhil Sonnad did a deep dive into the 14 years of edits (some of them pretty ugly) that led to the impressive entry the site has now.
How Do The Sexual Politics Of ‘Chasing Amy’ Look After 20 Years? (They Didn’t Look Great At The Time)
Director Kevin Smith says, “The weird thing about it is, you know, when you look at it now – to borrow a term from the present – it was very woke for 1997.” Queer critics didn’t agree: as Shannon Keating sums it up here, “Ultimately, the film assumes that a lesbian can go straight, even if just for a little while, as soon as the right guy comes along.” But then, Keating continues, “Questions about how to define different queer identities, the possibilities and limits of sexual fluidity, and what mysterious chemistry drives attraction are as much a part of the contemporary queer conversation as they were in the mid-’90s. Chasing Amy was, in many ways, ahead of its time.”
The Original Elevator Music: A Potted History Of Muzak, Its Antecedents, And Its Huge Influence
“The sounds frequently referred to as elevator music are, at least officially, no more; over five years ago the company folded in a deal with its new owner, Mood Music. Muzak often amounted to the sonic equivalent of a Pan-Am smile, inspiring the listener to a bland, blinkered contentedness. In part, its reputation has obscured much of what made the company viable, and the extent to which its style fed others in its wake.”
‘O.J.: Made In America’ And ‘Frontline’ Lead Documentary Peabody Winners
Also among the winners of 2016 Peabody Awards in the documentary category were 13th, Zero Days, and MAVIS!.
‘I Didn’t Realize Then How Far We Would Go’ – Masaaki Suzuki Talks About Recording The Complete Bach Cantatas
Lindsay Kemp visits Kobe to talk with the founder/director of the Bach Collegium Japan about the extraordinary (and excellent) 55-CD, 18-year project that Suzuki didn’t expect he’d be undertaking when he started it.
Ballet San Antonio May Give Up Live Musicians For Its ‘Nutcracker’
“[San Antonio] Symphony CEO David Gross says they offered Ballet San Antonio a reduced rate of $150,000 for a 2-week multi-show run, but the ballet company couldn’t commit.”
GP McLeer: Ten Things That Should Change In The Arts RIGHT NOW
After being in this field for a hot second, there are just some things that I think are impeding our ability, as an industry, to become more self-sustaining, attract new and younger audiences, and make the arts experience much better for the audience and/or consumer. These are ideas, traditions, thoughts – or “institutional traditions” – that have somehow become the “norm” in our industry and create an environment where we value the tradition over the audience experience – our “user interface”.
The Euphemism Treadmill
In this Lexicon Valley podcast, “John McWhorter [talks about] the evolution from ‘crippled’ to ‘handicapped’ to ‘differently abled’ – and why no such term is likely to stick around long.” (audio)
Audiences For Podcasts Are Growing Quickly
“Many podcast trends continue to rise, from the percentage of the 12+ population that has heard the term podcasting (60 percent, up from 55 percent last year) to the percentage that has listened to a podcast (40 percent, up from 36 percent last year) to the percentage that has listened in the last month (24 percent, up from 21 percent last year) or last week (15 percent, up from 13 percent). And the term “listened to” isn’t a loose one. And overwhelming majority of listeners get through either all of a podcast (42 percent) or most of it (44 percent).”