The Perils Of Writing About Your Own Family

George Hodgman, author of Bettyville: “You kind of have to face the fact if you write a memoir that you are a somewhat aggressive person, that you are appropriating lives, in a way, that aren’t yours. And you put yourself out there and you try to be really generous, and you do what you can to get permission, but a lot of times the permission is meaningless because they have no idea to the extent that you’re going to examine, or what you’re going to say. … So memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”

How Eduardo Galeano Changed Writing (It Wasn’t With His Leftism)

The great Uruguayan author is best known for his 1971 anti-capitalist manifesto Open Veins of Latin America – a work he repudiated last year. (He calls the prose unreadable.) But his later “technique is difficult to precisely describe, but it is easy enough to read. The word most often applied is ‘fragmentary,’ though the fragments are carefully arranged into unified wholes.”

The Director Of The National Museum of African American History Decides How To Curate #BlackLivesMatter

“‘It’s our job to give people voice that have been voiceless and make visible those that have been invisible,’ said [Lonnie] Bunch, addressing why the NMAAHC decided to host a symposium on such a controversial topic. ‘This must be a museum that helps America remember its past to better understand its present.'”