Music And The Improbability Of Copyright

“Is plagiarism inevitable in pop music? Thanks to combinatorics, the answer is certainly no for a song at full length. And the answer is probably still no if one focuses on just the heart of a song–whatever, legally speaking, that is. But even a genius would probably be unable to write a new pop song that doesn’t resemble some old one for at least a bar or two.”

Bad Spouses, Good TV: The Fascinating Rise Of Antihero Marriages

“Both the power-seeking political couple of House of Cards and the covert Russian spies of The Americans are equal parts business partners and soulmates. Because of each person’s reliance on the other to achieve mutual goals, both couples navigate the marital minefields of betrayal and infidelity in unusual ways. Both are the most fun to watch when they’re being bad together.”

What LA’s Brooklyn Festival Says About The Future Of Classical Music

“But the fertile interaction of classical and rock music evident in the Brooklyn Festival is hardly confined to that borough, or even to New York. It simply exemplifies a reality in which contemporary musicians work, and signals an imminent future in which even classical music’s flagship organizations — symphony orchestras and opera companies — will be forced to reconsider the genre boundaries that so long destructively divided classical and pop musics.”

The End Of Privacy

“Drones in public discourse appear to have become a symbol of an inchoate fear of a future in which privacy is nonexistent. This is not an unreasonable fear, but it is somewhat anachronistic, because in reality that future is already here–not because of drones, but because of pervasive video recording, RFID systems, massive data collection systems, and other, less obtrusive technologies.”