At Last! Backlash Begins Against Overuse Of Exclamation Points

“More likely than not, most people – women in particular – do it to make sure their message reads as friendly and not too … insert-negative-quality-here: corrective, cold, aggressive. Perhaps the irony is that the punctuation itself is too much. And if conversations taking place recently on social media are any indication, there may be a revolt brewing that could pry those exclamation points from our prose, particularly in work-related communications, in favor of more nuanced language on the internet.”

A Debate About Whether Truth Exists

Can we have knowledge of the past? Does science progress toward a more truthful apperception of the physical world? Or is it all a matter of opinion, a sociological phenomenon that reflects consensus, not truth? Unfettered emission of greenhouse gases promotes global warming. Species evolve through natural selection. Can we meaningfully assess the truth of these assertions?

How Will Movies Change When AI Starts Picking Which Movies Get Made?

These days, Amazon can practically anticipate when you might need toilet paper and Netflix can predict your next binge, so it only seems natural that Hollywood will start using AI to predict the next big blockbuster, or at least improve its chances of becoming one. In fact, several companies are already working on algorithmic ways to predict box office results.

What Makes A Great Translation? 10 Translators Weigh In

It’s easy to say what a bad translation is. The ones that are accidentally jagged like the person wielding the scissors was drunk. The ones where someone has misunderstood the original, or perhaps misinterpreted it. The ones where all individuality has been smoothed out. But how do we identify a successful translation? When have we done our job well? What is it we want to achieve, beyond mere fluidity?

The Original Laugh-Track Machine, And The Man Who Became Its Virtuoso

It was know as the Laff Box, and it was mocked up – jerry-rigged, almost – by mechancial engineer Charlie Douglass. You’ve heard it on everything from The Munsters and Gilligan’s Island to Cheers and MAS*H, and “[it] could chuckle. It could guffaw. It could laugh with sighed relief. It even had a reel, controlled by the foot pedal, that was only titters, one person lightly laughing at a time. At its most sophisticated, the box had 320 laughs” – and Douglass deployed them with surprising cleverness and subtlety.

Would You Ever Want To Be Able To Tap Into Someone Else’s Memories?

At some point in the future, could an A.I. company manufacture something akin to a neural bridge, allowing ordinary people to occasionally share their experiences? Maybe. Elon Musk recently announced the founding of Neuralink, a company that aims to put A.I. inside the head, merging humans and machines. Neural lace, the artificial hippocampus, brain chips to treat mood and memory disorders—these are just some of the mind-altering A.I. technologies already under development. While it may not be around the corner, a device akin to a temporary neural bridge—something that users can occasionally insert when they wish to share experiences—isn’t that far-fetched.

Poland Has A New Chopin Competition – Using Strictly 19th-Century Pianos

“As Poland celebrates the centenary of its independence this year, the Fryderyk Chopin Institute in collaboration with Polish Television and Polish Radio has organised [the International Chopin Competition on Period Instruments] not only to celebrate the country’s most beloved composer but to recapture Chopin’s sound world by using Érards, Broadwoods and Pleyels – period pianos with which Chopin was intimately familiar.” Reporter Andrew Larkin meets the competition’s founder, Stanisław Leszczyński.

Dancers Are Choreographers, Too, And It’s Time For Dance Criticism To Reflect That

Dancer Benedict Nguyen: “We make contributions to creative processes all the time. Some of these are obvious: We often improvise material or generate entire phrases to be incorporated into a work. Others are more innocuous: Dancers are sometimes asked to give feedback that ends up shaping the composition of a work. This is choreography. As working relationships between dancers and choreographers evolve, the dialogue on crediting authorship needs to reflect the collaboration at the heart of so many works.”