How, And Why, I Founded One Of The First Site-Specific Theatre Companies

Way back in 1985-86, Anne Hamburger started up En Garde Arts in place of writing a master’s thesis at the Yale School of Drama. (“At the time, no one knew what that was; audiences identified theatre companies with the buildings they occupied.”) In this essay, Hamburger explains how she put together some of her early successes, why she closed En Garde Arts in 1999 and reopened it a decade later, and why that intervening decade completely changed how her company works. – HowlRound

Ballyhooed Space Art By MacArthur Genius ‘Fails To Deploy’

Orbital Reflector, sculptor Trevor Paglen’s 100-foot-long, titanium oxide-coated, $1.5 million diamond-shaped Mylar balloon, was launched into orbit in December and was meant to be visible from the Earth’s surface. But the balloon never inflated and has lost contact with the satellite system that could command it to do so. Paglen blames the January government shutdown. – The Art Newspaper

Alex Ross: The Fascinating, Complicated, Difficult Legacy Of Furtwangler

“Could modern performers recapture Furtwängler’s elasticity of style? Most likely not. Scholars such as Robert Philip and Kenneth Hamilton have shownhow the advent of recording permanently changed the way music is played. Effects of rubato and portamento—bending the tempo, sliding from note to note—sounded messy when heard on disc, and they were already passing from fashion in the mid-twentieth century.” – The New Yorker