Even Nihilism Ain’t What It Used To Be

“One-hundred-and-fifty years ago, nihilism was born. Its midwife was the Russian novelist Ivan Turgenev, whose greatest work, Fathers and Sons, appeared in the spring of 1862 and heaved the immense figure of Yevgeny Bazarov into the world. Doctor by vocation and nihilist by avocation, Bazarov today would scarcely recognize what has become of the philosophy he launched. Nihilism is not what it once was and we are marking the most meaningless of anniversaries.”

Nobody Cares About Your Fixed Costs, Publishers, So Stop Talking About Them

“We recently pointed out that publishers are fooling themselves by thinking that they must charge super high prices on ebooks. That post seemed to set off some angry folks inside the publishing industry who did the standard thing: talking about all of the overhead that goes into publishing a book. We hear this all the time. But it’s meaningless. It’s cost-based accounting, rather than value-based accounting. The consumer doesn’t care how much it cost you to make the original.”

Crowdfunding Artists – Without The “Funding” Part

Caroline Woolard: “OurGoods asks participants to involve themselves fully in exchange. If this kind of deep thinking-doing is social practice, then OurGoods is a social-practice project. At Creative Time, we often found people reluctant to fully engage. This could be because art is often experienced as an abstract idea or proposal to discuss, not a plausible reality to fully involve oneself in — both in body and mind.”

Kid Takes History Class, Finds Big Mistake In Map At The Met (Seriously)

“The map purported to show the Byzantine Empire at its largest size in the 6th century, but he noticed that Spain and part of Africa were missing from the depiction.
Benjamin Lerman Coady knew he was right, because he had just studied the empire in school before last summer’s trip to the museum with his mother. He was told to fill out a form.”

Philip Glass: Go Ahead, Fall Asleep During Einstein

Glass has a fair amount to say about Einstein on the Beach, about to be performed in the U.K. for the first time during the Olympics festival. “It was a very avant-garde tradition-breaking piece when it happened in 1976. The odd thing is that theatre’s not changed that much since then – if anything most theatre has become more conventional, probably because of the influence of television and film.”