Mariss Jansons On The Art Of The Conductor

“You have to study deeply and express your wishes. The notes are just signs. You have to go behind them and see what your fantasy tells you. But how do you express that through sound? If you think of the technical aspects of conducting as being on the ground floor of a big building, then 20 floors up you are beginning perhaps to get the sound you want.”

Recreating The Barnes

“For most modern architects, the idea of replicating any building, even one as fine as Paul Cret’s exquisitely proportioned 1920s gallery, is anathema. Some art-world figures were appalled to hear that Barnes’ antiquated, salon-style hanging scheme would also be replicated, although others saw it as crucial to understanding the collector’s intentions. Yet for the Barnes to succeed in its new location, the board understood that the building had to be a serious work of architecture, not a pastiche.”

Frieze Doesn’t Give A Crap About Workers (Or Artists, Really), And That’s Wrong

“How many different people do you have to shake to get art institutions and businesses to wake up? Our actions as employers affect the quality of life of others. We know this, in general art professionals vote for socially responsible policies, and yet our own labor practices are amongst the very worst across all disciplines. “