The Conductorless Orchestra That Plays In Soup Kitchens And Crumbling Churches

Violinist Vena Johnson of the Prometheus Chamber Orchestra: “There’s this disconnect between what the art means to us and how that translates into the community. Many people just aren’t reached. It’s not necessarily economic – if the art isn’t speaking to a society for what we’re going through, then it won’t translate.” (Philip Glass’s String Quartet No. 5 went over particularly well in the soup kitchen.)