Karel Appel, 85

“With several colleagues, including the Danish artist Asger Jorn and the Belgian artist known as Corneille, Mr. Appel founded Cobra in 1948 at an international conference in Paris. The movement’s original name was Reflex, but it came to be called Cobra, an acronym for Copenhagen, Brussels and Amsterdam, the cities from which its founders came. The Cobra aesthetic — abstract, spontaneous, expressionistic, riotous with color — was a shot across the bow of de Stijl, which then dominated Dutch art with its rigid insistence on geometric form. It was also a reaction against the hegemony of French Surrealism.”

How Concerts Sell Out In Ten Minutes

Have you ever called TicketMaster to buy tickets for a popular concert minutes after they’re released only to be told the show has sold out? “Can a show really sell out in a few minutes? Yes, thanks to the Internet. Ticketmaster, the ticket agent for pretty much every big concert in America, sells tickets on its Web site, over the phone (via 19 international call centers), at 6,500 domestic retail outlets, and through arena box offices. According to Ticketmaster, Internet orders now make up 60 percent of sales.”

DaVinci Director Declines Disclaimer

Director Ron Howard has rejected calls from Catholics to place a disclaimer at the beginning of the film adaptation of The DaVinci Code informing audiences that the story is a work of fiction. The Catholic sect Opus Dei, which is fictionalized in the book and depicted as a murderous secret society, had asked for the disclaimer. Howard’s reaction: “It’s not theology. It’s not history. To start off with a disclaimer … spy thrillers don’t start off with disclaimers.”

Taking Outsider Art Worship Too Far

A new art exhibition in London purports to show striking parallels between so-called “outsider art” often created by the mentally ill and some of the 20th century’s greatest “insider” artists. A simple enough concept, but it has at least one critic furious: “A show of ‘outsider’ art… is well worth doing. Nor is it wrong to point out that, in the 20th century, mainstream artists have been fascinated by this kind of art. What is objectionable is to present the art of people with severe mental illness alongside the work of Francis Bacon, Joan Miró or Francis Picabia, and then to propose that there is no essential difference between the two, that both are simply different manifestations of modernity. This is post-modernist crap.”

Speaking Up For The City

It wasn’t easy for internationally acclaimed architect Richard Rogers to make it in New York, but last week’s announcement that he would design one of the new Ground Zero towers solidified his reputation in America, as it had already been solidified in his native Britain. “He has long been a persuasive, articulate and often lonely voice on the importance of design and density in cities. His practice is famously run with a constitution, the directors earning a maximum of six times the salary of the lowest-paid architect, and last year £1m was donated to charity.”