RAIN ON THE CANNES PARADE

This year’s Cannes Film Festival pales in comparison to past year’s ultra-glamourfest, according to the festival’s disappointed organizers. Fewer big stars have shown up (those who did come have spent much of their time under umbrellas), American studios have withheld many of their best films, and the mayor has declared all beach parties must end by 12:30am. On top of all this, it’s also been said that winning the coveted Palme d’Or does little to boost a film’s earnings anymore. – Sydney Morning Herald 05/12/00

RAISON D’ETAT!

At the Cannes opening ceremony, French Prime Minister Lionel Jospin urged European film companies to fight Hollywood domination by creating European-centered film groups. He promised the French government would do more to promote foreign cinema. “Besides the cultural dimension, cinematographic diversity is also important for democracy. It is not just an image that cinema projects onto the big screen. It is a vision, a vision of society.” – Times of India (Reuters) 05/12/00

DOT CANNES

Cannesmarket.com –  a new website for independent filmmakers and distributors – was launched yesterday. The site offers a film-based search engine and message boards for filmmakers and investors, “a meeting place for 5,000 professionals from 70 countries.” – The Age (Melbourne) 05/12/00

PLOT? YOU WANT PLOT TOO?

There’s been much buzz about Mike Figgis’ digital movie. How’s it look? “Shot simultaneously by Figgis and three other cinematographers, the unedited film takes place in real time at various locales on Sunset Boulevard. The plot, mostly improvised by the film’s cast, is sure to reassure Hollywood’s insecure screenwriters that they’ll always have work. But then “Time Code” isn’t really about anything except digital filmmaking.” – Washington Post 05/12/00

  • TIME TO BURN: Figgis talks about the difficulty of making a movie like “Time Code.” – Salon 05/12/00 

UNEARTHED JULES

A new Jules Verne book was published Thursday in France, 95 years after the author’s death. The 1901 thriller, “The Beautiful Yellow Danube,” was discovered by an Italian collector in 1977 and has since then only circulated privately. – Times of India

THE CATS THAT REFUSED TO DIE

What are we on here – Life No. 687? “Cats,” the show that wouldn’t go away, has extended its run on Broadway to September. Producers had announced earlier this year that the show would close in June. But: “After the Feb. 20 closing announcement, ticket sales for the Andrew Lloyd Webber tuner topped $1.5 million during the first week, rising to a total of $4.7 million over four weeks. The show has performed at an average of 94% capacity since mid-February, selling out twice in the last 10 weeks. Prior to the closing announcement, capacity had occasionally dipped below the 50% benchmark.” – Variety