In mitigating the impact of the COVID19 crisis, the federal government swiftly responded with economy-wide measures as part of its immediate relief. It is in this roll out of the Canada Emergency Response Benefit (CERB) and the Canadian Emergency Wage Subsidy (CEWS) that officials discovered the many gaps in addressing the labour force in the arts—the artist. More than the employment of the labour, it was what constituted their income that became the challenge and eluded the fit for an artist. – Georgia Strait
Tag: 05.14.20
Making Art On Instagram During A Shutdown
The Strip may be closed, but Las Vegas is so much more than gambling – or at least that’s what its chroniclers show. “In the absence of take-my-hand influencers, creative control of Instagram is free to return to the first group who adopted it: artists and photographers. If you give an artist a tool like Instagram and a bunch of idle hours, he or she will find a way to build a project.” – Las Vegas Weekly
More Thoughts On Museums And Their Endowments
Some directors say they’re not truly created for stressful times. “Calling an endowment a ‘rainy day fund’ is ‘grossly inaccurate,’ said Brent Benjamin, Saint Louis Art Museum director and AAMD president. Endowments are not cash reserves that can so easily be tapped. You shouldn’t spend the principal, and unrestricted earnings are typically committed to annual budgets in advance.” – Los Angeles Times
And Now… Drive-In Van Gogh
Art lovers will drive into the 4,000 square foot downtown industrial space and will stay inside their vehicles. It’s quite a change from the original concept, which permitted 700 people to walk inside the space at a time. – CBC
Now More Than Ever: The Social Value Of The Arts
Beyond simply creating art for art’s sake, or for school credits, many of the young people I encountered are building social movements and creative projects around a different vision for our planet. And they are calling us in. This is an unprecedented moment for intergenerational justice and we need to seize it. – The Conversation
Report: We’re Reading More In Lockdown (And Our Taste Is Changing)
According to the nationally representative sample of 1,000 adults, surveyed from 29 April to 1 May, the nation has also increased the amount of time it spends reading books from around 3.5 hours per week, to six. Just 10% of adults said they were reading less. Readers also revealed their tastes have changed since the outbreak of Covid-19. – The Guardian
Musicians Association Will Pay Musicians To Perform Online
Society of Composers, Authors and Music Publishers of Canada will pay musicians $150 per online performance for its members. The project is backed by $200,000 in funding every three months for the duration of COVID-19 lockdown period. Shares of royalties will go to all rights holders of the music performed. – Ludwig Van
Fall TV Is Going To Look Very Different
Now — when yearly upfront presentations would normally take place — networks are instead deciding whether to move forward with or completely scrap prospective shows, despite having barely any other finished product to consider. Some networks are requesting more scripts and approving straight-to-series orders, while others are delaying summer releases so they can be used as fresh content in the fall. – Huffington Post
Interest In Disaster, Dystopian Stories Is Soaring. Why?
Global downloads for Plague Inc, a 2012 video game that encourages players to spread a disease around the world before a cure is found, increased by an annual 123% from January to March this year, as the spread of Covid-19 began to gather speed internationally. Its UK-based developer Ndemic Creation addressed the game’s popularity: “Whenever there is an outbreak of disease, we see an increase in players as people seek to find out more about how diseases spread, and to understand the complexities of viral outbreaks,” the company said. – BBC
On Second Consideration: Rewatching Theatre Online Can Spark Different Conclusions
Laura Collins-Hughes: “As we flock online in these isolated, uncertain days, looking to sate our theater cravings, a lot of us are watching plays we have already seen onstage — familiar comforts that, in digital form, can bring fresh revelation, too.” – The New York Times