Top Posts From AJBlogs For 05.15.16

Propwatch: the invisible chairs in Boy
Our chat before Boy began was all about the travelator. The Almeida Theatre has been reconfigured for Leo Butler’s play to allow a moving walkway to snake around the space. Actors were already sitting,… … read more
AJBlog: Performance MonkeyPublished 2016-05-15

The Sleeping Beauty Wakes in a Brave New World
Katy Pyle’s Ballez performs Sleeping Beauty and the Beast in the La MaMa Moves Festival. Act 1 Prologue ofSleeping Beauty and the Beast. In no particular order: iele paloumpis, Lindsay Reuter, Ashley Yergens, Erica… … read more
AJBlog: DancebeatPublished 2016-05-14
Me and My World
Bari – Pianist Emanuele Arciuli, director of the “Embracing the Universe” festival that ended yesterday, likes to casually mention that America is currently producing the best music in the world – and he doesn’t mean… … read more
AJBlog: PostClassicPublished 2016-05-14
Joe Temperley, 1929-2016
Joe Temperley is dead at 86. In recent years, he was a mainstay of the Jazz At Lincoln Center Orchestra. In the 1970s following the death of Harry Carney, his glorious baritone saxophone sound anchored… … read more
AJBlog: RiffTidesPublished 2016-05-13

Comments from the outside
Reactions of outsiders to the DC Ring, which I raved about in my last post. The Valkyrie, end of Act 2. Battle under an overpass, with Fricka watching from above. By “outsiders” I… … read more
AJBlog: SandowPublished 2016-05-13

For the twelfth time…this is it

Palm Beach Dramaworks’ production ofSatchmo at the Waldorf, starring Barry Shabaka Henley and directed by me, opens tonight in West Palm Beach. With two successful public previews under our belts, I now feel safe… … read more
AJBlog: About Last NightPublished 2016-05-13
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Eurovision Gets Eerily Political

“The singer is an ethnic Tatar, and the song seems to make reference to Soviet abuses of the group in Crimea during World War II. (‘They kill you all and say, ‘We’re not guilty,’’ she sings in the song.) There had been calls for Jamala’s disqualification that cited Eurovision’s rules banning explicitly political songs, but the song survived in part because its references did not directly name specific historical events.”

Bend, Curtsy, Or Dip? Broadway Actors Talk About How They Bow

Laura Benanti, on when she was in the 2003 revival of Nine: “I’d scurry out onto the stage, tip my head for one second, then walk backward to my place in line and turn my face from the audience. Chita [Rivera] was like, ‘You look crazy.’ … She told me I needed to be in the tabletop position for three whole seconds. She’d stand in the wings during my bow and yell ‘One one thousand, two one thousand, three one thousand! Release!'”