“But San Francisco probably won’t be the only suitor if Lucas gives up on Chicago. Los Angeles Mayor Eric Garcetti reportedly has come up with a possible location for the museum in the city’s arts-rich downtown, and just days ago he issued a statement saying, ‘We would welcome it in Los Angeles.'”
Tag: 05.15.16
If You Know The Marseillaise (And You’re Not French), It’s Probably Because Of This ‘Casablanca’ Actor
Madeleine LeBeau and her husband “left Paris just hours ahead of the invading German army; Dalio’s image had been used in Nazi posters to identify Jewish-looking features. They made their way to Lisbon and, using what turned out to be forged Chilean visas, booked passage on a Portuguese cargo ship.”
Top Posts From AJBlogs For 05.15.16
Propwatch: the invisible chairs in Boy
Our chat before Boy began was all about the travelator. The Almeida Theatre has been reconfigured for Leo Butler’s play to allow a moving walkway to snake around the space. Actors were already sitting,… … read more
AJBlog: Performance MonkeyPublished 2016-05-15
Katy Pyle’s Ballez performs Sleeping Beauty and the Beast in the La MaMa Moves Festival. Act 1 Prologue ofSleeping Beauty and the Beast. In no particular order: iele paloumpis, Lindsay Reuter, Ashley Yergens, Erica… … read more
AJBlog: DancebeatPublished 2016-05-14
Bari – Pianist Emanuele Arciuli, director of the “Embracing the Universe” festival that ended yesterday, likes to casually mention that America is currently producing the best music in the world – and he doesn’t mean… … read more
AJBlog: PostClassicPublished 2016-05-14
Joe Temperley is dead at 86. In recent years, he was a mainstay of the Jazz At Lincoln Center Orchestra. In the 1970s following the death of Harry Carney, his glorious baritone saxophone sound anchored… … read more
AJBlog: RiffTidesPublished 2016-05-13
Comments from the outside
Reactions of outsiders to the DC Ring, which I raved about in my last post. The Valkyrie, end of Act 2. Battle under an overpass, with Fricka watching from above. By “outsiders” I… … read more
AJBlog: SandowPublished 2016-05-13
For the twelfth time…this is it
AJBlog: About Last NightPublished 2016-05-13
Doug’s List: Last Week’s Eye-Catching AJ Stories, Playing God Edition
Disrupting the orchestra model, doing away with artistic directors, a cure for what ails the Met Opera, how our ideas about knowledge are changing, and recreating Leonardo (no kidding!)
This Week In Audience: New Audience V. Old Audience Edition
A confluence of stories this week that rocket between new and old, digital and physical. Physical books making a comeback while e-book sales fall. Downloads collapsing as streaming takes hold. Transitions sure are messy…
The Trend Of ‘Beer And Ballet’
“You can see the dancers, watch them work their butts off, and have a good time. It’s a bonding experience for the dancers, too, because they get together and have a beer and hang out.”
The Curator Who Doesn’t Stop Going To Work Just Because He’s Retired
Joe Rishel, the man who guided and transformed the Philadelphia Museum of Art during his decades there, is “now simply emeritus curator of European painting – a curator who comes in at 10 in the morning, not 9, and doesn’t wear a tie.”
Why The Director Of Last Year’s Oscar-Nominated ‘Mustang’ Says She Can’t Work In Her Country Anymore
“The situation for women in Turkey is, [Mustang director Deniz Gamze Ergüven] believes, now very grave, for which reason she is happy for her film to be regarded as a contribution to the increasingly muscular and conflicted debate surrounding their rights, their freedom.”
Eurovision Gets Eerily Political
“The singer is an ethnic Tatar, and the song seems to make reference to Soviet abuses of the group in Crimea during World War II. (‘They kill you all and say, ‘We’re not guilty,’’ she sings in the song.) There had been calls for Jamala’s disqualification that cited Eurovision’s rules banning explicitly political songs, but the song survived in part because its references did not directly name specific historical events.”
Bend, Curtsy, Or Dip? Broadway Actors Talk About How They Bow
Laura Benanti, on when she was in the 2003 revival of Nine: “I’d scurry out onto the stage, tip my head for one second, then walk backward to my place in line and turn my face from the audience. Chita [Rivera] was like, ‘You look crazy.’ … She told me I needed to be in the tabletop position for three whole seconds. She’d stand in the wings during my bow and yell ‘One one thousand, two one thousand, three one thousand! Release!'”