The Gay Period Drama The World Wasn’t Ready For: Merchant And Ivory’s ‘Maurice’ At 30

“Adapted from a posthumously published EM Forster novel that is likewise overshadowed in reputation by other works in his canon – like, well, Howards End and A Room With a View – Merchant Ivory’s film opened hot on the heels of their broadly beloved, Oscar-garlanded adaptation of the latter. Almost immediately, it was filed away as, if not a disappointment, a lesser diversion.” But now, in the post-Brokeback, post-Moonlightera and with a new high-def restoration, Guy Lodge argues that the time for this soft-spoken romance may finally have arrived.

Why It’s So Difficult For Humans To Live In The Moment

“What best distinguishes our species is an ability that scientists are just beginning to appreciate: We contemplate the future. Our singular foresight created civilization and sustains society. It usually lifts our spirits, but it’s also the source of most depression and anxiety, whether we’re evaluating our own lives or worrying about the nation. Other animals have springtime rituals for educating the young, but only we subject them to ‘commencement’ speeches grandly informing them that today is the first day of the rest of their lives.”

Director Peter Brook At 92: The Meaning Of Theatre

Although Brook has the aura of a sage, he rejects the kind of theater in which artists condescend to their audience by assuming superior knowledge. Such “pretension” offends him. It’s the problem he has with Brecht, whose “tremendous scenic talent” has been eclipsed by his theoretical writings. As for the influence of Artaud, Brook classified him with the modernist English theater artist Edward Gordon Craig “as visionaries who gave their life to try to say what meaningful theater could be,” even if they weren’t able to achieve it themselves in performance.

Stephen Fry Says Theatre Needs To Understand Actors’ Mental Health Is As Important As Their Physical Health

Fry, who left a production in 1995 to figure out his own mental health, said, “Swings and dance captains are there in order, every single day, to work out if there’s an injury who will be replacing who in the chorus, who is coming in to double for this part and so on. The day may come when someone says: ‘I’ve broken my ankle’, and [someone else says]: ‘I’ve got the day off because I have had a depressive episode’, and it will sound the same.”