Longtime Village Voice Theatre Critic Axed

“Michael Feingold, 67, began writing for The Village Voice in 1970. His columns are known for the erudition and understanding of theatre history, both ancient and modern, and how current plays fit in with that continuum. Aside from John Simon, Feingold probably possesses more first-hand knowledge of New York stage history than any other currently working theatre critic.”

London’s West End Is Awash In Blockbusters. But Does That Signal That Theatres Are Healthy?

“When there are blockbuster shows in town, other productions can benefit from a trickle-down effect of interest and excitement; it’s not a case of one hit precluding the chance of another. But in the harder, leaner economy that has emerged over the last few years is a Darwinian mode of ruthlessness emerging among the punters?”

The Whitney’s New Logo (Having It All Ways?)

From the museum’s description of the logo: “It shows the Whitney as an institute that is breathing (in and out), an institute that is open and closed at the same time. An institute that goes back and forth between the past and the future, moving from one opposite to the other (history and present, the ‘Old World’ and the ‘New World’, between the industrial and the sublime, etc.), while still moving forward.”