The Architecture Of Antarctica

“It is no coincidence that many of the buildings in the first exhibition on architecture in Antarctica, shaped like caterpillars or icebergs, on stilts or stubby legs, will look like science-fiction illustrations – the storms, blizzards, extremes of temperature, darkness and howling winds they have been designed to withstand are so extreme that conditions have been likened to those on Mars.”

James Franco On Adapting Faulkner’s As I Lay Dying

“When [the characters are] speaking to each other, they speak as early-20th-century farmers. It’s fairly realistic. But underneath, in the inner monologues, … they speak in ways that these characters would never articulate. … Maybe they could feel as deeply but they would never use this diction. So we came up with was the split-screen: that would give the feeling of multiple perspectives.”

In Spain, A Protest Opera Against Austerity

El crepusculo del ladrillo (“Twilight of the Brick”, alluding to the final opera of Wagner’s Ring cycle) “takes on Spain’s ongoing economic crisis, which started to unfold in 2008 after the country’s real estate bubble burst. The story involves a village seduced into property ownership and consumerism before imploding in chaos. Despite the tragic subject matter, the tone is surrealist and often comic.”

Has New Music Been Wrongly Marketed?

“The new music community needs to make less of an emphasis on premieres and put more energy into making less familiar repertoire (e.g. recent compositions) more familiar by programming the music tons of times. A new piece should get programmed several times during the course of a season, not just one time or for a single consecutive run of performances.”