Technology Has Changed How Dance Gets Made And Preserved. But…

“I am trained in the classical Indian dance of Kathak, a tradition passed on through non-technological means, carried in the memory, the body and the mind. So each time we share it, it’s evolving. It’s like telling a story – no one ever tells it the same way twice. It changes each time you tell it, because you are human, because you are alive. By contrast, digital preservation of work and its perfect, infinite reproducibility – freed of context – potentially creates a more sterile transmission mechanism for ideas and art.”

Reasons Why We Might Not Want To Find Intelligent Life Out In The Universe

Hidden civilizations offer one possible answer to the Fermi Paradox, which raises the question of why we haven’t found evidence of intelligent alien life if many such races exist out there. Rather than support Enrico Fermi’s theory that intelligent life is unique to Earth, Dark Forest Theory raises the possibility that alien life is too intelligent to be detected, either because it’s hiding and/or because it’s plotting another race’s destruction.

Sony Pays $2.3 Billion To Buy EMI Music Publishing

“The deal values EMI Music Publishing at $4.75 billion including debt, more than double the $2.2 billion value given in 2011 when a consortium led by Sony won bidding rights for the company. Sony, which has run the business since then, will buy a 60 percent stake owned by [UAE sovereign wealth fund] Mubadala Investment Company, lifting its ownership to around 90 percent from 30 percent currently.”

World-Changing? Art Sputters In Protest, But Is It Really?

This brings up a problem that often arises in conversations about art: how can it participate in networks of power that its content willfully rejects? Often, so-called ‘political art’ simply aestheticises protest or resistance. Sometimes, it has the effect of moral licensing – instilling in its viewer a false sense of having accomplished something. Art and power have always been begrudging bedfellows. After all, Karl Marx and Friedrich Engels wrote The Communist Manifesto from the comfort of La Maison du Cygne, a gilded restaurant in Brussels.

Eight Things I Learned As My First Book Was Published

“It feels awkward at first. Whenever I pester people to write Amazon reviews for me or relentlessly bang on about my book on social media, a part of me worries that people will get fed up with it. Maybe they will. But being shy won’t get me anywhere, either. People can always ignore me or say no, but if I don’t ask them I’ll never know. And so far I’ve found that people are often more than happy to help.”

‘Stop Relying On Old Media’: Lyn Gardner On Leaving The Guardian And The Future Of Theatre Criticism

“My loss of a platform at The Guardian doesn’t mean that theatre criticism is dead, merely that the conversations are taking different forms and moving elsewhere. … There is a lesson in this for theatre itself and how much it remains in thrall to mainstream theatre writing, even as that coverage crumbles away. Theatre is in trouble if it places too much faith in the words of a single individual – whether that happens to be me or someone else – and just a few mainstream platforms; the media boulders that only really care about their own survival in the final reckoning.”

Why It’s So Difficult For The Dance Field To Root Out Sexual Harassment

The cases of Peter Martins and Marcelo Gomes are the only ones from the dance world to have hit the national media in the #MeToo era, and the movement’s momentum seems to have faded in the field seems to have dissipated. “[Yet] we’ve barely scratched the surface of the dance world’s harassment problem. One reason why: The same culture that makes harassment possible in dance makes it uniquely difficult for artists to speak up,” writes Lauren Wingenroth in an essay exploring the issue.

What’s The Biggest Obstacle To Boys Studying Ballet? Often, It’s Dads

Scott Gormley, filmmaker and dance dad: “I’ve spent the last two years creating a documentary about the struggles that young men face when they choose to dance ballet ― when they choose to thumb their nose at what boys ‘should do.’ … What I found the most upsetting were the attacks that came directly from family members: fathers, stepfathers, uncles, brothers, many of whom feared that ballet would ‘turn’ boys gay.”

After 50-Year Run, Andy Warhol’s ‘Interview’ Magazine Collapses Amidst Lawsuits And Resignations

“The magazine was owned by Peter Brant, a billionaire art collector, who acquired the magazine in 1989. Its closure comes after months of turmoil, including staff being locked out as part of rent dispute, a lawsuit brought by a former editorial director over back pay and the resignation of a fashion director accused of sexual misconduct.”