Bloomsbury Silliness: Rediscovering Virginia Woolf’s Play

“Yes, Woolf wrote a play. There is a good reason why you’ve probably never heard of it: it’s pretty terrible. First written in 1923, and then revised for a performance at Vanessa Bell’s art studio in 1935, Freshwater is a gentle satire of the bohemian world of her great-aunt” and centering on the the young actress Ellen Terry’s departture from her marriage to a middle-aged painter to “lead a life of corruption […] in Bloomsbury.”

Watching Merce Move (In Pre-Arthritis Days)

“Footage of Merce Cunningham’s choreography is everywhere on YouTube, but it’s much harder locating film of him dancing, and this 1964 snippet is a collector’s find. Capturing an extract from Septet (created in 1953), it counters all those memories of Merce’s late, Lear-like performances, when his 70-something body had become straitened and hobbled by arthritis.”

Is The Best-Selling Non-Anglophone Film In History Just Silly Racist Claptrap?

France’s The Intouchables has a worldwide gross of near $300 million (and it’s only just beginning its US release). “Viewers in numerous countries have eagerly devoured this feel-good fable about two men of different races and classes who forge an improbable friendship (dubbed by some wags ‘Driving Monsieur Daisy’). … At the same time, heated transatlantic debate has erupted over whether [the movie] traffics in offensive racial stereotypes.”

Russian Publishers, Claiming Inaccuracies, Scrap Translation Of Orlando Figes’s Stalin-Era History

“Figes had commissioned hundreds of interviews with the relatives of victims of the gulag labour camps to produce a 700-page chronicle” – titled The Whisperers – “of ‘private life in Stalin’s Russia’ … But the Moscow-based publishers, and a historian who conducted some of the interviews, claim some of the material was misrepresented” and that the book contains numerous errors of fact.

There They Go Again: In Praise Of Creators Who Repeat Themselves

Defending the powerful work – Wes Anderson’s films about the precocious progeny of dysfunctional families; David Vann’s novels about men who build their own wilderness cabins where terrible things happen; John Banville’s first-person narratives of articulate and alienated men; even Philip Glass’s perpetually repeated minor thirds – of creators who consistently mine the same material.

Screenwriter Sues For Back Royalties On Red Detachment Of Women Ballet

“Last November, actress Liang Danni filed a complaint in Beijing’s Xicheng District Court against the National Ballet of China on behalf of her 87-year-old father, claiming 550,000 yuan ($86,968) in compensation and demanding a public apology. The elder Liang wrote the script for the original, film version of The Red Detachment of Women, from which the iconic Cultural Revolution ballet was adapted.