The Dangers And Delights Of Choreographing Over-Familiar Music

Carmina Burana. Bolero. Arvo Pärt’s Spiegel im Spiegel. Even The Rite of Spring. They’re good pieces, they work for dance, and audiences are familiar with them. “Still, many choreographers have been sabotaged by the formidable nature and Muzak-y overuse of these iconic compositions,” writes Joseph Carman, who talks to several choreographers about how they’ve successfully pulled the feat off. – Dance Magazine

How Will Art Schools Reopen In The Fall? In California, They Really Aren’t Sure

Hyperallergic reached out to several art schools in California to see how they are planning to address the need for social distancing while maintaining the integrity of their arts curriculums.” The consensus: there’s no telling yet what the rules will be in September, so administrators and faculty are working out multiple scenarios. – Hyperallergic

London’s Southbank Centre Says It Must Close Until April 2021 Unless It Gets More State Money

“The UK’s largest arts and cultural organisation, the Southbank Centre, has warned that it will have used up its financial reserves by September, forcing its closure until April 2021 unless it gets further government support. The centre, which puts on more than 3,500 events every year” and contains three concert halls, an art gallery, and a library “and is home to eight orchestras, revealed details of the crippling financial pressures it is facing as a result of the coronavirus crisis.” – The Guardian

Salzburg Festival 2020 Will Go Ahead — In Reduced Form

“Bucking the trend of the vast majority of international festivals and opera companies that have been forced to shutter due to the coronavirus pandemic, the Salzburg Festival announced today that it plans to present a modified festival this summer, with fewer performances in shortened formats taking place from August 1 through 30.” No details of the programming were revealed. – Opera News