FINDING FAULT

Neil MacGregor, director of London’s National Gallery, has criticized the UK government’s recent euphoria over much-publicized museum and gallery openings, including the Tate Modern. Striking at the Government’s boast that it had increased access, Mr. MacGregor said: “There may be more access; but it is access to ignorance.” – The Independent (UK)

TOO MUCH DEBT

“We were presented with the figures of what it would take, in terms of financial support, to continue on and we found that we could not be fair to people [we employed] and go forward. The company and school are closed down and we hope it is temporary.” – Los Angeles Times

LAYING TRACKS

Lavish soundtracks have become an increasingly integral part of movie-making and movie-promoting. Madonna, Metallica, and U2 have all contributed new songs to big-budget movies recently. “Soundtracks have been the sleeper album chart success story of the last decade. In 1996 US music buyers were snapping up four times as many soundtrack albums as they had been 10 years before.” – The Guardian 05/26/00

IT’S THE WORDS, NOT THE MONEY

Huge amounts of lottery money have poured into the British film industry in recent years. So, “Why are British films so terrible? So stunningly, excruciatingly, exquisitely bad? The “high concept,” Cecil B DeMille once said, can be scribbled on the back of a cigarette packet. But most Brit-flicks have the entire script actually scribbled on the back of a cigarette packet, written in the time it took for someone to buy a drink at Soho House.” – The Guardian 05/26/00

MOVIES OF THE FUTURE

Trials are being conducted with digital movie projection at 16 selected locations in the United States, Europe and Japan. Half-million movie-goers have already experienced digital cinema. “The prototype projector is called a DLP, or digital light processor. It’s basically a glorified DVD player that uses a new micro-mirror engine to interpret, then “throw” a video image on to the big screen. The result is comparable to, and in some cases better than, the way movies have been projected for more than 100 years, with a light shone through sequential, sprocketed celluloid frames pulled by a claw mechanism through a synchronized shutter.” – National Post (Canada) 05/26/00

LAYING TRACKS

Lavish soundtracks have become an increasingly integral part of movie-making and movie-promoting. Madonna, Metallica, and U2 have all contributed new songs to big-budget movies recently. “Soundtracks have been the sleeper album chart success story of the last decade. In 1996 US music buyers were snapping up four times as many soundtrack albums as they had been 10 years before.” – The Guardian