Want To Make Art About Superheroes? It’s Not Easy (As These Leaked Sony Emails Show)

“Gagosian Gallery worked for months to license images of Batman, Superman, Iron Man and Spider-Man for a series by the German photographer Andreas Gursky. More than six prominent Hollywood executives were involved in the negotiations, including Robert Iger, the chairman of the Walt Disney Company, Kevin Tsujihara, the chairman of Warner Brothers, the producer Charles Roven and the chief executives of DC and Marvel Comics.”

Hugely Successful Theatre With An Unusual Business Model Is Making A Mark On Broadway

“Playful’s ability to commission and develop new plays is subsidized by an unusual business model: the producers take on the workmanlike roles of general manager on unrelated productions in the West End. The principals deal with contracts, arrange auditions and troubleshoot on shows without producing them, specializing in overseeing London musical imports from the U.S. such as Wicked, Shrek and Kinky Boots. It’s akin to running an international restaurant chain while spreading the risk and covering overheads by providing cutlery and menus to rival eateries.”

UK Arts Funder Warns Government Funding Cuts Are Damaging Culture

“In his first speech since becoming Arts Council chief executive, Darren Henley said cuts could halt recent progress in cultivating culture around the country. Arts Council England has had its government grant cut by 36% since 2010. Chancellor George Osborne is expected to outline £30bn of spending cuts to government departments in his next budget in July.”

NYT’s Decision To Not Review Every Movie In Theatrical Release Is A Liberating Moment For Criticism

“Reviewing a popular movie in this way involves a double-edged discernment—a virtual look behind the curtain at the kinds of decisions that brought the movie into being, and a look into the virtual soul of the abstract viewer whose enthusiasm the movie sparks. At its best, the result is a Nietzschean artistic psychology that acknowledges and understands the ways of power. At its worst, the commentary is a blend of armchair sociology and political ruefulness.”