Class War On The Multiplex Screen

Andrew O’Hehir looks at a spate of new releases wherein Hollywood cinema (by no means for the first time) becomes “the space where the angry and confrontational politics of class conflict – which are almost entirely absent in the realm of, y’know, actual politics – can play out as dream or wish fulfillment, with no real-world consequences.”

Does Reading Great Literature Really Make Us Better People?

“Wouldn’t reading about Anna Karenina, the good folk of Middlemarch and Marcel and his friends expand our imaginations and refine our moral and social sensibilities? If someone now asks you for evidence for this view, I expect you will have one or both of the following reactions. First, why would anyone need evidence for something so obviously right? Second, what kind of evidence would he want?”

Why Don’t American Critics Write More Hatchet Jobs? (Asks A Brit)

Clive James: “Ripping somebody’s reputation is recognized blood sport [in Britain]. Shredding a new book is a kind of fox hunting that is still legal today. Such critical violence is far less frequent in America. Any even remotely derogatory article in an American journal is called ‘negative,’ and hardly any American publication wants to be negative.”