Tag: 06.02.20

A “Window Concert” In A Hotel Courtyard Was Vienna’s First Taste Of Opera Since Lockdown

“Deserted by tourists, a hotel in Vienna gave itself a temporary one-night-only makeover, turning itself into an outdoor concert hall. The guest bedrooms, which have stood empty during the coronavirus lockdown, were transformed into opera boxes for an evening, and the hotel courtyard into a stage to create a rare moment of joy in the city of music on Saturday.” – Yahoo! (AFP)

Music, Social Media, Go Dark On Blackout Tuesday

Instagram and Twitter accounts, from top record label to everyday people, were full of black squares posted in response to the deaths of George Floyd, Ahmaud Arbery and Breonna Taylor. Most of the captions were blank, though some posted #TheShowMustBePaused, black heart emojis or encouraged people to vote Tuesday with seven states and the District of Columbia are hosting the largest slate of presidential primary elections in almost three months. – Washington Post

Crowd-Based Opera Postpones Reopening

Crowds are essential to this moment — and, really, to opera as an art form. Choruses fill the stage; musicians cram into the orchestra pit; thousands of people sit shoulder to shoulder in the theater. The Metropolitan Opera, one of the world’s largest houses, seats an audience of nearly 4,000. And it would probably have been packed for the season’s opening night on Sept. 21, the premiere of a new “Aida” production. – The New York Times

Arts Organizations Look To Draw Down Their Endowments During Crisis

The Chicago Lyric Opera plans to spend $23 million from its $173 million endowment this year, almost triple what it typically takes. It canceled its season in March, furloughed staff and cut salaries, but is still facing a huge deficit. “This is an unprecedented situation,” said Anthony Freud, the Lyric’s general director. The Los Angeles Philharmonic is drawing down $37 million from its endowment, more than twice what it would normally take. – The New York Times

The Extraordinary Art Of Christo and Jeanne-Claude

What he and Jeanne-Claude, his wife and collaborator, achieved was so different from the work of anyone else, and on such a huge scale—seventy-five hundred saffron-colored nylon “gates,” in Central Park; the Reichstag, in Berlin, and the Pont Neuf, in Paris, transformed by their cloth wrappings into monumental and sensuous sculptures—that it’s hard to believe it was also ephemeral. Each spectacle drew huge crowds for two weeks and then vanished forever, without a trace. – The New Yorker

With a country “on the brink” does it matter if your arts venue is shuttered?

I hear from nearly all corners of the arts sector that there is “no going back to normal” — that something fundamental needs to be redesigned in our systems to make them more equitable, healthy, and sustainable. If so, it matters which arts organizations survive the next two years and which go away, and it matters how arts organizations are defining their short-term and long-term crises and goals. – Diane Ragsdale