FLASH OF INSPIRATION

Architect Norman Foster’s Millennium Bridge, linking Tate Modern with the north bank of the Thames, opens Saturday. The positive buzz about his design and its potential to transform London’s waterfront has been mounting. So what was Foster’s inspiration for the project? “The blade of light that used to shoot out across the canyon and so save Flash Gordon from his evil pursuers in the Saturday-morning cinema that was such a feature of his youth. For Foster, the Millennium Bridge is that blade of light, leaping across the Thames.” – The Telegraph (UK)

WOMEN’S WORK

An unprecedented number of women artists, filmmakers, and writers in Korea have been creating work that directly confronts gender-identity issues and sexism. Three upcoming exhibits will feature the work of 489 women artists – the largest number to ever exhibit in Korea. – Korea Herald

CELLISTS UNITE

  • More than 600 cellists from 45 countries, including Yo-Yo Ma and Janos Starker, got together last weekend in Maryland for the third annual World Cello Congress. The multiethnic, multigenerational festival stressed one message over others: that the cello is “the mating call of the orchestra.” – NPR [Real Audio file]

ON-THE-JOB TRAINING

Bobby McFerrin is a “deeply talented” artist. But can he conduct? Why not – This week he led the Baltimore Symphony in a performance of Beethoven’s Seventh Symphony. “In short, McFerrin is learning to conduct on the job. With curiosity and perseverance and many years of experience, he might well develop into an interesting conductor. Right now he’s granted access to major orchestras not for his musical insights but because he fills the seats.” – Washington Post

BRAHMS AND THE PLAYMATE

Classical music recording companies may be dumping the big established stars, but they have room for Linda Brava, a Playboy Playmate and moderately talented violinist. She’s being promoted by EMI Classics, no less. “Recording companies are no longer satisfied with a decent return on an investment that may take several years to realize. They want profits, they want them big, they want them now.” – Philadelphia Inquirer

MAKING THE WORLD SAFE FOR ARTS FUNDING

As do most ex-chairpeople of the National Endowment for the Arts, Jane Alexander has written a book about her experience running the American public arts funder. “From her coy pose on the cover, to the last desperate Shakespeare quotation, Jane Alexander has…produced a stunning argument for saving trees. This account of her tenure as chairman of the National Endowment for the Arts from 1993 to 1997, unfortunately reads like a high school student’s account of a summer abroad. – The Idler