A Translators’ Bureau To Facilitate Translating Books

The idea of forming some kind of “literary translators’ agency”—which would perform a similar role to an author’s agency—is one that translators have been mulling over for years. After all, such agencies exist for most other creative professions, such as illustrators, actors, musicians, and designers. But it’s a rather tough nut to crack for literary translators, mainly because there simply isn’t enough money in literary translation to make such a venture financially sustainable.

Patti LuPone Is Doing Her Last Musical

In a War Paint backstage interview in which she talks about plenty else as well, the Broadway diva tells Jackson McHenry, “I don’t know how long my voice will last. By the time another one comes along I may not have a voice. I don’t want to have be character woman and be put in a box [on the side of a poster]. I can’t be a leading lady forever, so why not go out in a blaze of glory as Helena Rubinstein?”

Welsh National Opera Offers First Virtual Reality Opera Experience

Created by Welsh National Opera, the project will allow visitors to step inside the worlds of The Magic Flute and Madam Butterfly, including performances from WNO productions. Called Magic Butterfly, the production will combine motion capture, animation and music to create an “immersive experience using responsive animation and sound”. WNO claims this is the first time an opera company has used VR in this way.

Why Sony Is Producing “Clean” Versions Of Its Movies

“The shift to new home options for these ‘clean’ versions aligns with the public movement away from traditional broadcast venues towards on-demand or streaming services. Simply waiting for scrubbed content to arrive on television is not only inconvenient from the audience’s new get-it-now standpoint, but allows studios including Sony a new vector for improved profitability. While the streaming revolution has, for the most part, been a knife in the heart of network television, it could prove a long-run boom for the studios who, in some cases, manage better distribution deals through these new services.”

Making Sense Of Isadora Duncan’s Life (And Her Less-Than-Reliable Autobiography)

Amelia Gray: “Isadora spent her whole life straddling the gap between public perception and private reality. In writing Isadora, a novel set during a particularly dark year and a half of her life, I found myself having to pick through that reality, reality as Isadora wished to create it, and a third, emotional reality, which aspired to contain recognizable truths.”