This Is The Poet Who Won One Of The World’s Richest Poetry Prizes

Alice Oswald, a British poet who won the International Griffin poetry prize for her collection Falling Awake, said, “Most of my favourite poets (both dead and alive) have never won prizes. However, in the spirit of carnival, it’s important for all people to wear a crown and ride on a float for a day – as long as they don’t turn up for work in it.”

The Dungeonmaster In The Running At The Tonys

When the playwright J.T. Rogers (of Oslo fame) hangs out with his son, this is exclusive narrative he spins: “His characters, a dwarven king, a 12-foot-tall mountain giant and a half-elven chef, were not interested in brokering peace; they and their army were a bloodthirsty lot, with dwindling food stores, hellbent on conquering a nearby population of gnomes.”

Nero Rock Opera Is Not So Welcome In Rome

So state officials allowed a 3,000-person theatre to be constructed smack dab in the middle of one of Rome’s main archaeological sites so the opera could run this summer. “This may not be the first grave abuse perpetuated against Rome’s monuments, but it is certainly the most serious.”

Will ‘Dear Evan Hansen’ Clean Up At Tonys?

Peter Marks of Washington, DC: “It comes down to the two shows with Washington pedigrees, both of which I feel great affection for. They’re both exciting, superbly staged and have powerful emotional cores. ‘Come From Away’ is a heartbreaking production about an extraordinary incident; ‘Dear Evan Hansen’ is an extraordinary production about a heartbreaking incident. In the end, the more award-worthy achievement is the show that wrecked me more.”

How An Obscure Eastern European Symphony Sold A Million Copies And Changed The Classical Record Industry

William Robin traces the history of Henryk Górecki’s Symphony No. 3, from its unhappy premiere at a French avant-garde festival 40 years ago (allegedly, Pierre Boulez shouted “Merde!), through the release, 25 years ago, of the surprise hit recording by conductor David Zinman and soprano Dawn Upshaw, to the major labels’ attempts to repeat the work’s success.