How Mr. Bean Nailed The Behavior Of American Museum Audiences

“If the movie Bean has taught us anything (and what hasn’t it taught us really?), it’s that American museums and the museum-going public will line up, go out of its way, to view something spectacular, whether there’s much in the way of educational value.” Noah Charney (who cops to similar behavior himself) talks with some curators about “what you as a curator do when the material in your collection is more interesting than spectacular.”

The CIA’s Failed Attempts To Shape Intellectual Discourse

“Its history suggests that the midcentury intellectuals whose work filled the pages of these journals, brilliant though they were, should not have their status inflated to the point of distortion. Ironically, the same thing that made them important — their ability to participate in a seemingly world-historic conflict of ideas — was what compromised their integrity.”

How The Concertgebouw Is Changing The Audience Experience

“The challenge is to show the world that everyone is welcome at the Concertgebouw and to bring more people through the doors that haven’t visited before – but that would love to come irrespective of their backgrounds. I think at all times we should avoid thinking that we should change our artistic core to attract more audiences – eschewing, for instance, those fusion concerts and crossover concerts that seldom seem to work out well.”

Poet Edith Shiffert Dies At 101

“Ms. Shiffert was a quiet sensualist, her verse characterized by spare simplicity and a deep, abiding affinity with the natural world. Her poems were inclined to be short (she was keenly influenced by haiku), and were often organized around unobtrusive — and therefore highly effective — rhyme or half-rhyme, the prosodic device in which two words are united by a shared final sound.”

Selma Hayek Is Getting Starring Roles At 50, But How?

Hayek says: “I have a friend — an Italian friend who’s a brilliant actress … she’s working a lot, too, and we were looking at each other one day and saying, why are we working so much? And she said: ‘You know why? We don’t have Botox!’ … We don’t have the injections. This is what it is! We don’t look as hot, that’s true … but we’re working non-stop because we can look like real people. We can play any part.”

No Matter How Many Confederate Monuments Are Removed, The True History Of The South Is Not Being Erased

And that’s true anywhere: “It’s not just the dragon-haunted South. Everywhere I have visited or lived — in Eugene, OR; Albuquerque, NM; St. Louis, MO; Chapel Hill, NC; New Smyrna Beach, FL —
history of this sort is right at a visitor’s feet, etched into earth and rock, embodied in churches and homes, and interred in tombs.”