Prosecutors are racing to ready their case of collusion against Christie’s and Sotheby’s. “If the Justice Department is successful in establishing that the price-fixing dates back nine years, civil awards could cripple both companies. One lawyer suing the auction houses said that the damages could run well into the hundreds of millions of dollars, which, when tripled under provisions in such cases, could mean combined losses to Sotheby’s and Christie’s of close to $1.5 billion.” – New York Times
Tag: 06.12.00
JUST WHERE DID I PUT THAT PAINTING?
The Austrian government accuses Vienna’s Österreichische Galerie Belvedere of financial mismanagement and of having “mislaid” 3,200 of its 10,000 works. The Belvedere museum collects Austrian art from the Middle Ages to the present. – The Art Newspaper
REMEMBERING JACOB LAWRENCE
“His body of work tapped great social and philosophical themes, captured the economic and racial ruptures and shifts that have defined our culture and, amazingly enough, found beauty in struggle.” – Washington Post
THE SPOOKS AND MR. ORWELL
The CIA went into the cultural propaganda business in a big way in the 1950s. After George Orwell died in 1950, the CIA acquired the rights to produce “Animal Farm.” But, “for the CIA to finance and distribute Animal Farm, however, something had to be done about the ending. In Orwell’s anti-Stalinist original, the pigs who overthrow the farmer ruling class end up mingling with their former oppressors. As pigs and farmers toast one another in the farm house, ‘the creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.’ The CIA solved this problem of the symbiotic relationship between capitalism and Communism by eliminating the farmers from the final scene.” – The Nation
LOVED TO DEATH
About 35 million people visit the Smithsonian museums in Washington every year, making them the most heavily-trafficked museums in the world. But the buildings are crumbling, and the Smithsonian is asking Congress for $500 million to fix them. – CNN
A DANGER TO ITSELF: “I’m amazed that you could have the greatest portrait in the United States, of George Washington; you could have the Declaration of Independence desk, the desk on which it was written; you could have the hat that Abraham Lincoln had on the day he died, in buildings that really not only possibly endanger them, but the American people coming to look at them.” – CNN
SANITIZING ROCK?
Frank Gehry’s latest project opens next week – the Experience Music Project in Seattle. “Gehry—who admits he prefers Haydn to Hendrix—bought a bunch of electric guitars in Seattle, took them back to L.A., chopped them up and reassembled the pieces into architectural shapes. That didn’t quite work, although the building—a lot rounder—stayed largely Stratocaster-colored. From a distance—say, a high hotel room about a mile away—the 140,000-square-foot EMP looks like a peculiar dessert: purple, red, silver, gold and baby-blue Jell-O with a garnish of green trees. Up close, it’s a trademark Gehry design, a mix of metals cladding ‘swoopy’ shells covering a careful floor plan.” – Newsweek
RIGHT ANGLE
- Work to correct some of the tilt of the leaning tower of Pisa has been so successful, limited access to the building will resume next week. The tower had been closed because of concerns for safety. [First item] – CBC
RATINGS – NOW THERE’S A CONCEPT
For the first time in its history, PBS is being run by a programmer. And big changes are coming to the way the public broadcaster does business, with an emphasis on gaining viewers. “Ultimately, more viewers and more time spent viewing by current viewers will translate into more viewer financial contributions, PBS hopes, and higher ratings nationally should make it easier to find corporate underwriting support.” – Los Angeles Times 06/12/00
LEAVING THE WORLD’S LARGEST MOVIE FACTORY
The mob is moving in on Bollywood, so some of India’s biggest film producers are leaving the country to shoot their projects in Britain. – Times of India 06/12/00
REMEMBERING JACOB LAWRENCE
“His body of work tapped great social and philosophical themes, captured the economic and racial ruptures and shifts that have defined our culture and, amazingly enough, found beauty in struggle.” – Washington Post