South Africa’s Film Industry Is Still Too Stuck In Whiteness

Phil Hoad argues that, nearly two decades after the end of apartheid, sub-Saharan Africa’s second-largest film industry (after Nigeria’s) is still beholden to Hollywood and its outlook, while the country’s black majority is underrepresented in everything from acting and directing (even Tsotsi and District 9 had white directors) to access to movie screens.

Londoners, Do You Hate The Shard? Renzo Piano Has A Few Words For You

“This building is not made with the intention to be aggressive or powerful. It is not about priapismo. This building is telling a completely different story. It is celebrating a shift – in the idea that growth in a city should not happen by building more and more on the periphery. … I’m not an advocate of tall buildings, but I am an advocate of intensifying the city from the inside.”

Bringing MoMA’s Treasures To The World’s Most Isolated Big City

“Picasso to Warhol: 14 Modern Masters” is the first of half a dozen six-month exhibitions – all featuring pieces from the permanent collection of New York’s Museum of Modern Art – at the Art Gallery of Western Australia in Perth. Among the other “modern masters” in the show: Matisse, Miró, Mondrian, Pollock, Calder and Bourgeois.