“The Bureau of Investigative Journalism is moving into theatre producing with a touring show about cuts to domestic violence funding. Refuge Women is a collaboration between journalists and performers, and is inspired by real stories uncovered through investigations into the state of government-funded services for women fleeing domestic violence.”
Tag: 06.14.18
Blockbuster Podcast ‘S-Town’ To Be Adapted Into Feature Film (Is This A Good Idea?)
The hit seven-episode audio documentary by the producers of Serial and This American Life will be adapted for the screen and directed by Tom McCarthy, who won two Oscars in 2015 for Spotlight, about the Boston Globe investigation into sexual abuse by Catholic priests. But will S-Town translate? Hannah Verdier considers the potential pitfalls and pluses.
Young Clarinetist Awarded $350,000 In Suit Against Ex-Girlfriend For Defrauding Him Of Scholarship
In the spring of 2014, Eric Abramovitz, a music student at McGill University in Montreal, was offered a full scholarship to the Coburn School of Music in Los Angeles. But he never got the offer: Jennifer Lee, his then-girlfriend, saw the email from Coburn before he did. René Bruemmer reports on what Lee did next – things that convinced a judge to make such a huge award – and how Abramovitz ultimately found out about it.
Banksy Print Stolen From Exhibition In Toronto
“The work in question is called Trolley Hunters, a satirical image of Neanderthal-ish men hunting a shopping cart. It’s said to be the artist’s critique on corporate food production. Its value is estimated at $45,000. … Later Thursday, police released video appearing to show the theft, while the exhibition was still being set up.”
Opera San Antonio’s Artistic Director Quits, Alleging Board Interference
“Adam Diegel has resigned as artistic director of Opera San Antonio after just five months, accusing the board of directors of interfering in his work and not allowing him to choose the operas the company would perform.”
David Hallberg To Direct ABT’s New Choreography Initiative
“American Ballet Theatre [has] announced a new initiative to foster the development of choreography by company members and freelance dancemakers. Aptly titled ABT Incubator, the program, directed by principal David Hallberg, will give selected choreographers the opportunity to spend two weeks workshopping new dances.” (This is not to be confused with ABT Women’s Movement, the program to develop work by female choreographers that was announced last month.)
Charleston Abandons Plan For New Performing Arts Center
“The Daniel Island Performing Arts Center … was to be a multipurpose new venue that featured a 400-seat proscenium theater, with balconies and an orchestra pit, available to various local and touring theater companies, plus dance programming, classes and more.” In early June, the board abruptly decided to end the project; said one director, “After a year of the board studying the launch of full campaign, it became evident that the building couldn’t be built on donations alone.”
The Hermitage Will Be Giving No Freebies To Those World Cup Hooligans, Thank You
“The Russian government has urged museums to offer discounts to visitors with a World Cup Fan-ID, the special document that allows ticket-holders to enter the country without a visa.” The Tretyakov Gallery in Moscow will offer free admission to its 20th- and 21-century art wing for the next six weeks. But the director of the Hermitage Museum in St. Petersburg has curtly declined to make any such offer – and the way he explained his reasoning will not please Russian nationalists.
Deutsche Bank Sets Up Its Own Arts Center In Berlin
“Deutsche Bank has set an opening date of 27 September for its new cultural forum, located in an historic building in central Berlin and to be called Palais Populaire. [The new center] will host exhibitions, concerts, readings, talks, workshops, sporting events and a cafe.”
Survey: Most Visual Artists Make Less Than $30k/Year And Don’t Find Galleries Helpful
While some of the study’s findings are not particularly surprising — like that artists’ satisfaction with their work increases in direct proportion to the amount of time they spend in the studio — others are quite illuminating, especially where the economics of being an artist are involved. For instance, only 12% of respondents said that gallery sales of their work have been helpful in sustaining their practices, and grants ranked similarly low; the majority (61%) said that freelance and contract work was the most significant economic factor supporting their art.