What’s It Like To Be In Art School In Your 60s?

Nell Irvin Painter (yes, that’s her real name) changed her hair as well as her understanding when she got her MFA: “I could just feel that in art school, in that world, my natural hair seemed kind of 20th century. It was akin to my great handicap, which was my 20th century eyes. I really had to bring my eyes into the 21th century, which was a long-running process that is still going on. So I changed and the way I look changed.”

At Monticello, It Is – At Long Last – Time To Center The Life Of Sally Hemings

This has been 25 years – and two centuries – in the making. “The ‘Life of Sally Hemings’ exhibit is perhaps the most striking example of the sea change that has taken place at Monticello, as the foundation has increasingly focused on highlighting the stories of Monticello’s slaves. … It rebuilt a slave cabin and workshops where slaves labored, and has hosted reunions there for the descendants of the enslaved population, including sleepovers. It removed a public bathroom installed in 1940s atop slave quarters.”

Southern Baptists Say They’re Calling Off The Culture War, But Can Artists Trust That Claim?

There’s a newly elected Gen-X leader, and he has no time for the culture wars of the past. “Greear has promised to lead the denomination down a different path, which, he has said, must include efforts both to repent of a ‘failure to listen to and honor women and racial minorities’ and ‘to include them in proportionate measures in top leadership roles.’ If the meeting in Dallas is any indication, his vision is resonating with a large number of the next wave of Baptist leaders.” But many artists and, indeed, the arts in the U.S., have been burned. What’s that path again?