Are Ballet Dancers’ Teeth Too Bright?

Judith Mackrell: “Perhaps in normal daylight, or in front of a bathroom mirror, there’s nothing exceptional about the shade to which these men’s teeth have been whitened. But under stage lighting, an obviously bleached smile can take on a neon brightness. And I’m not alone in finding the effect to be disproportionately distracting.”

NSA Or No NSA, We Are Not Living In Orwell’s 1984

“A few points of similarity, like the monitoring of huge amounts of data without sufficient congressional or legal oversight, do not establish the literary analogy. The rule here is simple: If you are invoking 1984 in a country in which 1984 is available for purchase and can be freely deployed as a rhetorical device, you likely don’t understand the point of 1984.”

Let’s Stop Taking George Orwell’s Name In Vain

“People mention Orwell … to suggest that the writer of Animal Farm and 1984 would disapprove of the activities that Edward Snowden made public. And people may well be right about that. But Orwell would likely disapprove of the use – the overuse – of his name. That’s because Orwell crusaded against clichés like few public figures have before or since.”

Warhol’s Factory Changed The Art World, And The Art World Changed Warhol’s Factory Art Right Back

“Postmodernism in the arts repudiated many of the basic teachings of modernism: the myth of individual genius, for example, and the concept of originality. Yet arts institutions continued to operate throughout the postmodern period, and do so right up to the present moment, as though that critique never happened. Museums, foundations, government endowments, and university art departments all effortlessly absorbed a movement which was more or less devoted to destroying their conception of the arts.”