How Did Contemporary Art Get To Be Blockbuster Art?

“In this environment, with museum directors under pressure to boost attendance, Holbein loses out to Damien Hirst, Manet to Christian Marclay, Braque to Jean-Michel Basquiat, and Klee to Jeff Koons. Even museums whose collections extend back to the ancients are stressing contemporary art. In the past few years, some museum directors and fundraisers have told me that it has become difficult to find money for exhibitions displaying what some are now calling ‘pre-contemporary art’. Sponsors, be they corporations, foundations or individuals, are simply uninterested. This is, as one art dealer remarked to me, like losing Mozart.”

Flap Over The Public’s “Julius Caesar” Shows We Have Even Bigger Problems

“On one level, the corporate corruption of the arts is obvious. There is inevitably pressure on stage companies to police what political dramas (if any) they will or will not stage. (Seen any plays that question the value of the unfettered free market lately?) But the corruption also takes a subtler, more soul-destroying form, which is being ignored or minimized. For example, mainstream commentators are, as usual, missing the more insidious point of the Julius Caesar fracas, wallowing in the surface issues, content to indulge in silly finger-pointing and self-serving postures of defiance.”

Progressive Rock Was Crazy And Ambitious And Pretentious (And Fans Still Love It)

The prog-rock pioneers embraced extravagance: odd instruments and fantastical lyrics, complex compositions and abstruse concept albums, flashy solos and flashier live shows. Concertgoers could savor a new electronic keyboard called a Mellotron, a singer dressed as a batlike alien commander, an allusion to a John Keats poem, and a philosophical allegory about humankind’s demise—all in a single song (“Watcher of the Skies,” by Genesis).