What Hollywood Can Learn About Disability From ‘Finding Dory’

Alyssa Rosenberg: “Part of what’s great about a movie like Finding Dory is that there are so many characters with disabilities in it that no single character has to carry the weight of an entire community, or act as an exemplar for it.” And the expectations for the disabled characters aren’t low: “Dory and Nemo have wild, ocean-spanning, out-of-water adventures that most fish never dream of.”

William The Conqueror And Winston Churchill, Singin’ And Dancin’ Through British History

City of London financier Johathan Ruffer “is the main backer of something called Kynren, an all-singing, all-dancing history of Britain from the Romans to the second world war, which will be put on by about 1,000 volunteers in the investor’s rolling backyard” near Durham. “Billed as the biggest live event in the UK since the 2012 Olympics, it features a Viking longboat levitating out of a lake, horses charging into battle, a volley of flaming arrows and and plenty of pyrotechnics.”

There Was One Student Left In USC’s Art MFA Program, And She Just Dropped Out

“It’s been a year since the entire incoming MFA class at USC’s Roski School of Art decided to drop out en masse, leaving the program with only one student this year, HaeAhn Kwon. In an open letter to Provost Michael Quick, Kwon announced today that she too would be leaving the program, citing ‘the devastating trajectory this school has taken.'”

Report From The Front: Is This The Future For Orchestras?

“The young musicians orchestras most need will not gravitate to orchestras. Instead, orchestras will get the blinkered conservatory graduates who don’t care about the institutional life of an orchestra – who will dutifully rehearse and perform. It therefore becomes more than ever incumbent upon orchestras to empower musicians to more fully participate in an expansive institutional mission.”

This Is How The TV Show Business Model Is Changing

“Network television used to deficit-finance shows and then make those expenditures back through advertising money. The shows would then generate more revenue by getting lucrative syndication deals. But now, cable shows draw in ad revenues, carriage fees, and international sales to satellite, cable, and streaming or on-demand services. When those various revenue streams add up, a show can be profitable from the get-go.”