Ta-Nehisi Coates: The Playboy Interview

Q: “You’ve said that when you look at yourself in the mirror you see a guy who got fired three times. Do you think there will ever be a point when you’ll look in the mirror and see the dude who changed the game with Between the World and Me?”
A: “No, because that remains to be seen. And the game could get changed back.”

How Did Voltaire Get Rich? By Rigging The Lottery, Repeatedly

“It was once said of Voltaire, by his friend the Marquis d’Argenson, that ‘our great poet forever has one foot on Mount Parnassus and the other in the rue Quincampoix. The rue Quincampoix was the Wall Street of eighteenth-century Paris … By the time d’Argenson made his remark, in 1751, Voltaire had amassed a fortune. He owed it all to a lottery win. Or, to be more precise, to several wins.”

Dancer Convicted Of Acid Attack, Now Out Of Jail, Wants To Return To Bolshoi

“Pavel V. Dmitrichenko, the dancer released from prison after being convicted of engineering an acid attack that exposed the hidden intrigues of the Bolshoi Ballet, asked to meet outside the theater where he had so spectacularly fallen from grace, and where he already envisions his return. With the famous facade glowing pink in the soft light of a summer evening, Mr. Dmitrichenko looked around and pronounced himself entirely at home.”

Can Locking Our Phones In Pouches At Shows Really Save Us From Ourselves?

Tom Moon: “This is about artists setting the terms of engagement for a performance. Which is their right. We probably don’t think of it that way, in part because the Internet and smartphone technology has fundamentally altered the dynamic between artist and audience. Not just in terms of copyright abuses, which remain a huge problem, but also in terms of attention abuses. Which are more insidious, more accepted as part of the new digital lifestyle, and thus harder to control.”

A Music Store Closes And It’s Tempting To Write The Definitive Eulogy

“Critics can and have read Other Music’s bow-out as representative, in an allegorical way, of any number of bigger Ends: the End of music as a physical medium to be collected and doted over, the End of curated off-line retail, the End of curation, the End of the East Village, the End of New York. Most of those Ends—whether real or imagined—have already been eulogized so aggressively that to revisit them now seems plainly indulgent.”

The Video Game Experience As Art

“What’s the mechanism through which a game can give you an artistic experience?” When we watch a movie or read a novel, he said, we consider characters’ dramatic conflicts and imagine what we’d do; he wanted to replicate that in a game, in which the player could actively participate.