The Birthplace Of The United States Is Crumbling, And No One Seems Inclined To Fix It

“Independence National Historical Park [is] the fourth-most-visited national park in the country. It welcomed 4.6 million pilgrims last year alone — ahead of Yellowstone, Yosemite or Zion (and the Statue of Liberty, too). Independence Hall is one of only 11 UNESCO World Cultural Heritage sites in the United States. It’s Philadelphia’s (democratic) Versailles. Yet the curation” — not to mention the physical upkeep — “is more on par with a half-abandoned cathedral in a random village in the South of France. How did we get here? There’s plenty of blame to go around.” – Philadelphia Magazine

The Breakout Star Of ‘The Last Black Man In San Francisco’ Says The Acting Life Is Wild And Unpredictable

Jonathan Majors is involved in so much work this year that – and the travel involved with promoting that work – that he has developed a philosophy to deal with it all. “‘That’s the beauty of being an actor. You’re kind of a journeyman. … ‘Home’ is right there. Right here,’ he said, touching his hand to his chest. ‘If you think, ‘I’ve got to get back to New York, I’ve got to get back to Atlanta, I’ve got to get back to L.A.’ — you’re lost. If you can’t find peace inside, you’ll never be at peace.’” – Los Angeles Times

The Académie Française Has Ruled On The Difference Between A Slut And A Bastard

Yes, with this recent bulletin, les immortels of the august body founded by Cardinal Richelieu in 1634 want to be sure that all French-speakers properly distinguish between une salope (a slut) and un salaud (a bastard) — and they warn that the alternatively gendered forms of these words (un salop for men and une salaude for women) are archaic and should be avoided. (Twitterverse, à l’attaque!) – The Local (France)

Warning: US Tariffs On Chinese Book Publishing Would Be Catastrophic For US Publishers

“The US publishing industry invests in literature, children’s books, educational materials, religious and historical texts, Bibles, scientific expression, and numerous other works of fiction and nonfiction that support and celebrate American voices but are printed in China. There are no viable alternatives either inside or outside of the United States at this time, meaning that the impact of the tariffs—if applied to books—would be swift and devastating to both American publishers and the important works they disseminate.” – Publishing Perspectives