Sadiq Khan, responding to Arts Council England’s decision to shift some funding from the capital to the regions: “I’m not saying we deserve a bigger slice of the cake for the sake of it. I’m saying that actually, if the arts in London does well, the whole country benefits.” (Well …)
Tag: 06.30.17
There’s A Revolution Happening In The Arts Right Now (And It’s Changing Everything)
“This new radical democratization threatens critics, just as it does well-paid artistic directors, executive directors, curators and all kinds of other gatekeeper types in the cultural universe, which explains why some say we/they react defensively to any grass-roots rebellion.”
Is The Structure Of Today’s Arts Institutions The Problem With Today’s Arts?
“What is the real vision that we’re looking for in the performing arts? Maybe it needs to go beyond simply what goes on the stage. Maybe someone needs to bring vision to the fallacy, almost universally accepted, that the only way to sustain the arts we love is to shore up a system of oversized institutions that no longer seem to work well in today’s culture. Might there be a better way to reconceive orchestras and opera houses, and to allocate the considerable resources that go into the performing arts every year, while fostering creativity — rather than convincing everyone that art needs to be packaged in layers of institutional bubble wrap so it doesn’t get broken?”
Catching Up With The Beat Poets (They’re Still Alive?)
“Late last spring, I drove up the coast from Los Angeles in search of surviving members of the Beat Generation. Interview times had been procured with the poets Ferlinghetti (now 98), McClure (84), Snyder (87), and Diane di Prima (82), as well as Beat-adjacent novelist Herbert Gold (93). When I told people about my plan, the most common response was, “They’re still alive?” After all, the loose collective’s three most famous avatars are long gone. William S. Burroughs and Ginsberg died within four months of each other in 1997. After chronic alcoholism, Kerouac’s organs finally burst in 1969.”
One London Library Not Suffering From Cuts During The Long Retrenchment Of British Public Life
In a neighborhood where the town council announced there would be no austerity measures at its libraries, “Books are only a small part of the library’s mandate. When the council elected to spare its libraries from cuts, it announced that they would be redeveloped as ‘community hubs.’ Among the groups using the library’s facilities for regular open meetings are stroke survivors, cancer survivors, seniors, dads, knitters, aspiring songwriters, Pilates enthusiasts, and philosophy buffs.”
What Ever Happened To The Steady Stream Of John Grisham Movies?
Superheroes. “Grisham didn’t offer any guesses, other than that in recent years, it’s nearly impossible to produce any film that’s not a superhero franchise. ‘Hollywood has changed so much in the last 20 years that it’s just very difficult,’ he said. ‘It’s hard to get a movie made.'”
Is This The First Q&A To Be Conducted By Photo Chat? (That’s Actually Less Important Than Artist Guadalupe Rosales’ Work, Though)
The artist has been creating an archive of ’90s Chicano youth in Los Angeles via her Instagram account, and now a six-week residency at LACMA. “Archiving and preserving and talking about these materials,” she explains, “sometimes that can be more important than making a photo.”
Olivia De Haviland Is 101, And She Is *Not* Having That ‘Feud’ Miniseries
Indeed, she’s suing FX and Ryan Murphy Productions. “In a complaint filed Friday in L.A. County Superior Court, de Havilland claims she has built a reputation for integrity and dignity by refraining from gossip and other unkind, ill-mannered behavior — but the series opens with Zeta-Jones doing an interview as de Havilland and creates the impression that she was a hypocrite who sold gossip to promote herself.”
Is This The Year The World Will Get Re-Excited About Canadian Literature?
Maybe? “Few writers have seen, first-hand, the way Canadian literature is embraced internationally more than Madeleine Thien. She has been travelling, seemingly non-stop, since her Scotiabank Giller Prize-winning Do Not Say We Have Nothing, a novel both global in scope and profoundly Canadian, was published last year. What she’s discovered, she says on the phone from Umbria, Italy, which she was visiting for a music festival organized by the Canadian classical pianist Angela Hewitt – this immediately on the heels of a two-week prepublication tour of Japan – is that Canadian literature is not viewed the same way, but changes from country to country, region to region.”
Streaming Isn’t Always So Great For The Foreign Film Fan, But Things May Be Changing
Basically, “if you’re someone who cherishes international and art house cinema, it’s a good time to have Roku.” (And AppleTV. And maybe a Chromecast? Then there’s the Indian movie channel on Amazon … )