The bleak scenarios thrown up by films such as Contagion, from panic buying and isolation to fear of others and fake claims of miracle cures, appeared to help viewers take the outbreak in their stride and work out how best to handle the crisis. – The Guardian
Tag: 07.01.20
The Appeal Of Master Classes With The Greats
The classes mix entertainment and education, each one shot in a different location. You can learn basketball on the personal training court of NBA star Stephen Curry, or step into the kitchen of Massimo Bottura, the chef of the three-Michelin-star restaurant Osteria Francescana. “No two classes are remotely the same,” says Rogier, who keeps a wishlist of potential teachers. “Everyone has their own approach.” – The Guardian
I Was A Foot Soldier In The Dance Boom Of 1970s New York
Elizabeth Kendall remembers: “SoHo was dance spilling out into life. It was a grimy laboratory of the future. … In SoHo you could get a turnip soup with an asymmetrical bread chunk at an exotically rustic cafeteria named Food. You could climb leaning stairways to see free-form jazz men riffing in lofts. And you could meet other dancers on street corners and converse with them in the deadpan physical vernacular of [Yvonne] Rainer’s Trio A. Somebody would start those opening arm swings of the sloppy-tidy, faux-plebeian dance, and somebody else would cross the street and join in with the next move.” – The New York Times
Will The Art Gallery System As We Know It Survive?
There’s no reason why the art gallery as we know it, a 19th century invention, should last forever. But there’s also no sign of an alternative on the horizon. As with other small New York businesses that’ve been closed since mid-March, it’s not clear how many galleries will be able to hold out long enough to reopen. – The Nation
Why Theatres In England Are Opening Up When They Can’t Present Plays
They’re showing movies in their auditoriums (social distancing observed, of course), opening their cafes and bars, presenting art exhibits — anything that can offer a place to (safely) gather. As the artistic director of a theatre in Chester put it, “People are desperate for contact again, to get back into community spaces, where they feel safe and connected. [Putting on plays is] not our mission. We put on plays in service of our mission.” – The Guardian
Natural History Museum’s Removal Of Roosevelt Statue Is A Good First Step
At a moment when the world’s museums are being called out for ingrained and unexamined inequalities, the American Museum of Natural History is one of the few to take decisive action. Art institutions, by contrast, have largely engaged in hollow gestures. – The New Yorker
That Statue Of Teddy Roosevelt That’s Coming Down In New York? This Russian Collector Will Buy It
Andrei Filatov, a rail transport and investment magnate (who is also chairman of the Chess Federation of Russia), has offered to purchase the long-controversial statue in front of the American Museum of Natural History that depicts Theodore Roosevelt on horseback flanked by half-naked American Indian and African men on foot. He’d made a similar offer for a statue of Alexander Baranov, the Russian colonial governor of Alaska, in Sitka that activists want relocated. – The Art Newspaper
A Theater-Within-A-Theater, Modeled On Shakespeare’s Globe, Will Divide Socially Distanced Patrons With Partitions
The Wilma in Philadelphia plans to construct and install what it’s calling The Wilma Globe. “It would be built within the current Wilma Theater and would place audience members, individually or by small groups, into two tiers of stalls separated by wooden dividers and facing the stage. With a flexible configuration it could seat as many as 100 people or as few as 35.” – The Philadelphia Inquirer
What Ballet Companies Are Losing As They Cancel This Year’s ‘Nutcracker’s Is More Than Just Money
Sarah Kaufman: “Artistically, The Nutcracker is a big playing field where dancers can achieve breakthroughs, because over the unusually long run of performances, they are typically cast in many different roles … [and get] chances to experiment and become comfortable in a range of characters and styles. It’s a prized platform for showing off strengths and catching the director’s eye. So while missing a cherished holiday ritual is surely a letdown for audiences …, it’s an incomparable hardship for the dancers.” – The Washington Post
Violinist Ida Haendel Dead At 96
“[She] enthralled audiences around the world with a combination of classical rigour and romantic warmth – the mix of ‘ice and fire … simply mind-blowing’ that one reviewer found in a recording of the Sibelius concerto.” – The Guardian