Why The World Loves Southern Gothic Lit

Novelist M.O. Walsh (from Louisiana): “Here’s my idea: the southern gothic is like a trusty bicycle. (Note: this is not simply because southerners talk too slowly for a car metaphor to work. It is instead a kinship in the way the two things are assembled and ornamented. Stay with me.)”

Remembering Louis Armstrong’s Influence On Music (Not Just Jazz)

“Except for true jazz believers in his own country and throughout the world, this concept of Louis Armstrong as a most serious, stunningly innovative artist is unfamiliar. He was often seen in the movies and on prime-time television variety shows, and he had a number of hit records, but he was by no means held in awe by the general public. Yet this was the man who had changed the very shape of jazz as fundamentally and permanently as Beethoven had changed the shape of the symphony.”

Only Two In Ten Spaniards Have Read Spain’s Most Important Writer

“Don Quixote is the most important Spanish literary work; its author, Miguel de Cervantes Saavedra, is one of the four main writers of world literature, along with Homer, Shakespeare and Dante; the plot and the various episodes of the novel are known by almost everyone, and everyone talks of Don Quixote and Sancho or have heard of them and their adventures; but only two out of ten Spaniards say have read Cervantes’ masterpiece complete. And four out of ten they have done for personal interest or general culture.”

Even Dadaism Had A Racial Subtext

Tzara composed what he termed “African poems,” and his girlfirend led a danse nègre at the Cabaret Voltaire. Grosz danced jigs while wearing a straw hat and blackface. Picabia painted two canvases he titled Negro Song. Clément Pansaers published a pamphlet titled Le Pan Pan au Cul du Nu Nègre. “Clearly, Norman Mailer did not invent the ‘white negro’.”

Hollywood Gets Calls To Action For The Apparently Endangered American Movie Star

“The invasion of British and Irish leading men in Hollywood has now gone beyond a joke for many in the American entertainment industry. First noticed some time in 2011, the trend was initially dismissed as a novelty: an interesting phase that would pass, rather than as a threat. But this summer actors and directors are calling for action to mobilise American drama teachers and schools to counter it.”