And Just Like That, Christo’s Floating Piers Are Gone

“As the local officials who approved the project pay tribute to the boost to international tourism in the region, it seems that Italy has learned to embrace Christo’s monumental, ephemeral brand of sculpture. But against the instincts of an artist who claims not to understand computers, the Floating Piers will have a digital afterlife. The selfie-friendly installation has generated 130,000 hashtags on social media, while Google is due to put 360-degree images of the work online through its Street View function.”

How Louisiana Killed Its Film Industry

“Louisiana’s once-booming film industry – dubbed “Hollywood South” – was off by as much as 90 per cent this past year, according to the Louisiana Film Entertainment Association. The drop is all attributed to the state’s decision to wind down its generous incentives last July, scaring off movie makers.”

How They Train Conductors At The World’s Best Conductor School

“The Sibelius Academy has some features that are unique in the world,” says Jasper Parrott, a leading artist agent in London who regularly visits leading conservatories to watch emerging talent. “It offers opportunities to work with an orchestra, its own very competent student orchestra. And thanks to Finland’s abundance of good orchestras, Sibelius Academy conducting students get professional opportunities even before they graduate.”

How Screen Culture Is Killing Dance (But Maybe Not)

“This new normal wherein everyone carries a small screen with them everywhere starts to have a grim, dystopic cast to it. It’s largely responsible for the loss of casual contact with the unfamiliar and the weird, with that which we did not choose, and—more to the point of my pet project—it doesn’t help bring anyone into contact with dance who wasn’t already interested in it. But then, surprisingly, it does; the screen also emerges as a vehicle that can introduce casual viewers to concert dance.”

Syrian Refugees’ Adaptation Of ‘The Trojan Women’ Arrives In Brexiting Britain

“The play Queens of Syria is a chance to put a human face on the worst humanitarian disaster since the second world war. … The play, directed by Zoe Lafferty, has changed over time as the cast has shrunk to 13 women” – from up to 50 during the original workshops in the Suyrian refugee community in Amman – “and personal circumstances have moved on.”