The Smithsonian Has Discovered The Magic Of Kickstarter, Raising $1 Million And Finding New Audiences

“We’re not only trying to fund the projects, we are reaching audiences that we might not reach through other channels,” said Scott Tennent, the Smithsonian’s director of advancement communications, noting that three-fourths of the Kickstarter backers are new to the Smithsonian. “We can raise awareness that the Smithsonian relies on public support. That’s something people don’t always realize.”

‘Meatballs’ – An Oral History Of The Movie That Changed Both Comedy And Summer Camp

“We sat down with several members of the Meatballs cast and crew” – including director Ivan Reitman and producer Dan Goldberg – “to talk about their experiences, both in front of and behind the camera, making the movie that still gives us goosebumps whenever we hear that child choir sing, ‘Are you ready for the summer?'”

Blouin Artinfo Laid Off Staff, Outsourced Editorial To India And Used Fake Bylines: Report

In late May, all the editorial staff of Artinfo and Louise Blouin’s other art puiblications (Modern Painters, Art + Auction) were given two weeks’ notice and told they could reapply as freelancers. Then, reports Page Six, “owner Louise Blouin outsourced the editorial to India. But to make it seem as if there were still a cosmopolitan staff, articles were given bylines with hilariously generic international names.”

Why Is Andrew Wyeth’s Reputation So Fragile?

“On July 12, Wyeth would have turned 100. Over the course of his life and into his death, his reputation has weathered a whiplash of ups and downs and polarized opinion. In 1977, when the art historian Robert Rosenblum was asked to name the most overrated and underrated American artists, he nominated Andrew Wyeth for both categories. How can we explain these dramatic shifts? And what do they say about how critics and artistic movements influence an artist’s legacy?”

The Text On Historical Markers Has Become Another Front In The Culture Wars

“Stories of Pilgrims and Puritans, Founding Fathers, westward-bound settlers, and brave American soldiers dominated this consensus-driven picture of the nation’s past. The vast majority of historical markers reinforced these themes on a local level, pointing out important events or notable residents – most of them white and male – as travelers wound their way to their final destinations. … This [particular] consensus view of American history has not held up.” New historical markers – for example, one commemorating the KKK Greensboro Massacre of 1979 – now get fought over long and hard. (In that case, even the word “massacre” was contentious.) “Not surprisingly, no event has proved to be more controversial to recognize through historical markers than the American Civil War.”

Why Emojis Are An Important Addition To Our Language

“On one estimate, only 30-35 percent of the social dimensions of meaning, in our daily interactions with others, come from language, with up to a staggering 70 percent deriving from nonverbal cues. This includes visual cues such as the other person’s body language, facial expression, and gestures, as well as how close they stand to us—we’ve all experienced the discomfort of the individual who occupies too much of our personal space for comfort; our emotional response is, invariably, likely to be negative. We also respond to their physical appearance, their dress, and the environment in which we encounter them, which provides information about their occupation or mode of living.”

The Most Anthologized Short Stories Of All Time

Emily Temple compiles not just a list, but four sublists as well. Granted, they don’t really cover all time (let alone every place) – she surveyed 20 anthologies published in the U.S. between 1983 and 2017, not counting the yearly Best American anthologies or any themed collections (say, Best Ghost Stories or Best Love Stories).

Which Museum Landed The Fabled €500 Million Cerruti Collection Of Artworks?

“Turin’s Castello di Rivoli Museum of Contemporary Art has obtained the legendary art collection of Francesco Federico Cerruti. … The iconic trove features 300 masterpieces from the Middle Ages to the 20th century accumulated by the enigmatic Italian collector. Extraordinary works by Francis Bacon, Pablo Picasso, Wassily Kandinsky, and Amedeo Modigliani, as well as Pontormo, Pierre-Auguste Renoir, René Magritte, Andy Warhol, and Guilio Paolini feature in the jaw-dropping collection, alongside various furnishings and rare and ancient books.”