What’s Wrong With Multiculturalism?

“There is something deeply inauthentic about the contemporary demand for authenticity. The kind of cultures that the Enlightenment philosophes wanted to consign to history were, in an important sense, different from the cultures that today’s multiculturalists wish to preserve. In the premodern world there was no sense of cultural integrity or authenticity. Modern multiculturalism seeks self-consciously to yoke people to their identity for their own good, the good of that culture and the good of society.”

Sexy Dancing (OK?)

“In today’s politically correct world, what happens when the body not only talks, but seemingly shouts? In other words, when the female figure has, throughout history, been sexualized, fetishized, worshipped, and, in some cases, derided, is it cool to be sexy onstage these days–or is it sexist?”

The Art That Really Moves Us

“Bad writers and directors.. always want to offer us the easy way out–the lie that we’re superior to the characters on the stage or the screen; put another way, they create false, two-dimensional characters we can only feel superior to. It’s the genuine artists who bind us to great sinners like Lear and Othello–or more likely, in modern art, to petty sinners, who throw their lives away for pride or spite or else carelessly, without thinking about it, and then realize, too late, what they’ve done.”

The Burden Of The Humanities

What does it mean to speak of the “burden” of the humanities? The phrase can be taken several ways. First, it can refer to the weight the humanities themselves have to bear, the things that they are supposed to accomplish on behalf of us, our nation, or our civilization. But it can also refer to the ­near ­opposite: the ways in which the humanities are a source of responsibility for us, and their recovery and cultivation and preservation our job, even our ­duty.

Vermeer Sells For $30 Million

A Vermeer painting – the first to come on the market in 80 years – has sold for $30 million. “The overflowing salesroom burst into applause when George Gordon, an expert in the Sotheby’s old-master paintings department, took the winning bid by telephone. While the auction house is not saying who the buyer was, it is believed to be Stephen A. Wynn, the Las Vegas casino owner.”